Audiophilepure

Schiit Kickin’ Rekker

The Saga+ did not sound exactly like my Pass XP12 ($6100) but it was far closer than I would have thought. Far closer. Grit, grain, attenuated frequency extremes? No. I was stunned at how good the Saga+ sounded. This is a really linear reproduction of music. My benchmark for good sound is not imaging or soundstaging or the visual elements of music, but tone and timbre, they’re absolutely essential to me. The Saga+ and the Pass XP12 were far more alike than I’d have thought. Far more.

Both are just a wee bit drier than a well balanced tube line stage, but, they’re both very good. Where the Pass stepped ahead was with nuance. Music was just more elegant, performances seemed just a bit better executed. I found myself holding my breath just a little more often with the Pass than the Saga+. If the cost of the Pass does not dent your pocket book, get it, it’s better. No question. If it’s a painful stretch, the Saga+ should be on your radar.

To contextualize, if a Saga+ system is not as rich as desired, I believe the listener should reach for a richer source or richer speakers first. This small, inexpensive preamp is a stunner. Of course, if you have thick or stiff cables… forget it, the Saga+ at six pounds is going to get pushed off your shelf.

Building a satisfying system is about knowing what you want and making complimentary choices to fill your bill. Were I starting as an audiophile today, I’d look at the Saga+ as maybe a starting and destination preamp for audiophiles that don’t want to spend decades and tons of money chasing their tails. Sure, better performance is available but that’s an endless and expensive climb, summiting with the Saga+ gets a great view of music at a silly good price. Overlook it at your wallet and time’s peril.

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