Audiophilepure

https://www.soundstagehifi.com/index.php/equipment-reviews/1857-estelon-aura-loudspeaker

That splendid tonal balance was not perfectly neutral, but it was as neutral as I’d want it to be. Listening to female vocals, I could detect a slight emphasis in the upper midrange regardless of amplification. This bias, in the 1000Hz to 4000Hz range, both on- and off-axis, was also revealed in our measurements. But this isn’t a bad thing. Lana Del Rey’s wispy vocal on “White Dress,” the opening song on her Chemtrails Over the Country Club (16-bit/44.1kHz FLAC, Interscope / Polydor Records / Tidal), was perhaps a touch more prominent than usual, but it had dazzling immediacy and a wonderful clarity I did not sense with other speakers. A less obvious effect of the heightened upper midrange, albeit still noticeable, was on Stevie Nicks’s vocal in “Dreams.” With most systems, her voice seems buried in the mix. Through the Auras, however, with either amplifier, her voice was more present, and the whole song sounded a little more spacious in the midrange. Not all female vocals were boosted in this way, though. Tracy Chapman’s singing voice is a bit lower in pitch than Nicks’s and Del Rey’s. Playing “Fast Car” and “Baby Can I Hold You” for some friends one afternoon, from her eponymous debut album (16/44.1 FLAC, Elektra Records / Tidal), I was taken aback by how natural her voice sounded—it was as natural as I’ve ever heard it.

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