Audiophilepure

https://www.soundstageultra.com/index.php/equipment-menu/1259-borresen-x6-loudspeaker

The crossover between the midranges and that sexy ribbon tweeter was nearly invisible (inaudible?), rivaling the clarity of the Bowers & Wilkins 801 D4 Signature. “Red” from King Crimson’s Absent Lovers: Live in Montreal 1984 (16/44.1 FLAC, Discipline Global Mobile / Tidal) just bombarded me with upper-midrange and treble information—two angry guitarists fighting with a furious electronic drum kit. The X6s kept the instruments discrete, with the well-behaved interplay between the drivers rendering the performance front and center without me having to think about how it was all working.

For a large portion of my time with the Børresen X6s, I was conscious of the speakers themselves as large, ominous, monolithic presences in my room. I mean this in only the best way possible, as their physical appearance spoke to me in a deeply appealing manner. They were science-fiction-solidified, large wedges of carbon fiber that looked like they were approaching warp speed while standing still.

Initially, the contrast between the X6s’ dramatic appearance and their aural disappearing act imposed a disconnect on my reaction to the speakers. As time went by, though, it got to the point where I could focus my attention on those huge, alien cabinets ready to destroy my world, or throw a switch in my brain and have them disappear completely, leaving only free-floating, disembodied music.

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