Audiophilepure

https://www.soundstagehifi.com/index.php/equipment-reviews/2017-focal-diva-utopia-streaming-active-loudspeaker-system

This past summer, I heard rumblings that Phil Collins’s health was rapidly declining. But these rumors seem to have been unfounded, with recent updates confirming he’d had knee-replacement surgery. All this attention motivated me to listen to the 2016 remastered version of his 1982 album Hello, I Must Be Going! (24/96 FLAC, Rhino / Qobuz). The famous track “I Don’t Care Anymore” opens with Collins’s signature solo drum sequence, followed by synth notes with an unmistakable 1980s sound. Through the Focal system, the snap of the drumsticks against the skins was vivid and visceral, with each percussive punch followed quickly by the hollow thud of the drum shells. Echo and reverb were copious, contributing to a generous soundstage that went beyond the placement of the speakers. The overall sound possessed a natural warmth and fullness. The Diva Utopia delivered excitement and musical engagement along with detail and nuance on this classic 1980s track.

Speaking of delicacy and finesse, I concluded my listening with a jewel of an artist I discovered only recently. Cécile McLorin Salvant isn’t new, but she’s new to me, and WomanChild (24/96 FLAC, Mack Avenue / Qobuz), her 2013 debut album, has been in heavy rotation in my listening room. Through the Focal system, the opening patter of the brushes on the drumskins in her rendition of Rodgers and Hart’s “I Didn’t Know What Time It Was” was delightful; the light slaps and papery scrapes of the bristles against the skins were extremely refined. The cymbals were similarly pristine, their gentle shimmer faultlessly delicate and extended. The Diva Utopia system produced a beautiful and extended treble—something I’ve come to expect from Focal’s beryllium tweeters, which have been refined over several generations. Salvant’s voice sounded sumptuously natural, coming across like a warm cappuccino on a cold morning. The Diva Utopia expertly presented her careful phrasing and mesmerizing voice with beautiful tone and presence. And I’d be remiss if I didn’t praise the authentic image size, generous texture, and timbral accuracy of the double bass.