Audiophilepure

https://www.hifinews.com/content/devialet-phantom-ultimate-streaming-loudspeaker

On first listen, the bass output here will grab your attention. There’s no doubting the LFE reach as Devialet’s SAM technology works in the background to coordinate those two 200mm drivers in a fashion that would be impossible with a conventional passive solution. While this remarkable extension is combined with detail and fluency there are clearly practical limits to its bass amplitude [see PM’s Lab Report]. So there was a slight softening to the deepest, loudest bass notes in Paul van Dyk’s ‘Artefact’ [Vandit Records; 44.1kHz/24-bit], which is where a ‘bass-head’ might yearn for a dedicated sub, but this is a trifling niggle considering the all-round sonic appeal of these speakers.

As said, I used the ‘Monitoring’ mode for most of my listening. The app’s EQ tools are useful for adjusting the Phantom Ultimate’s sound to personal taste but remember to pay attention to Devialet’s presets. ‘Music’ mode invokes a ‘Loudness’ DSP by default, while the brand’s Active Volume Levelling is automatically switched on in ‘Movie’ mode. Also seen on Devialet’s Dione soundbar, this works to normalise dynamics – preventing, for instance, movie explosions from drowning out accompanying dialogue