Audiophilepure

https://www.enjoythemusic.com/magazine/equipment/0519/Rogue_Audio_Cronus_Magnum_III_Review.htm

Chances are a committed audiophile would own a copy of Nils Lofgren’s SACD Acoustic Live, and so let’s spin it up. Immediately there is a dimensional expansion of the sound scape. The scale of stereo imaging within the performance space, including those in front of the stage, are clear to hear. There are great aural hints of 3D space. Space is what you should expect, and that’s what would be a wonderful characteristic of this vacuum tube powered soundscape. Razor edged transient attack is what you might hear with a solid-state setup, yet Rogue Audio’s Cronus Magnum III integrated tube amplifier with phono stage reveals something far more satisfying. The sound is full of natural resonant harmonic overtones both odd and even. More than that, those overtones decay into silence much more gradually. My favorite Harry Pearson phrase is “Continuousness”, and here it fits nicely.

It’s not at all like early digital delineation. That’s when sound levels subside and they are eliminated as a least significant bit. What I have tried to convey is part of what some have called, “Tonal Body” but I would rather call this simply, the Gestalt! That’s when every part blends together and forms a clear coherent concept. There is another significant tonal characteristic of the Magnum III. On a very good recording It puts spaces around and between parts of the performance. It’s subtle, but it’s like a renaissance masters painting in that the main subje