Audiophilepure

First of all, I have to note these headphones have a very high sensitivity rating, making them quite easy to drive. While they are pretty forgiving regarding the source, they clearly sound their best with better gear. As I went up the ladder with DAC/Amps, I was able to get greater levels of detail and separation out of them.

I have to say that the travel case is impressive, as usual with Audeze, but this one is extra special, and it has a different look. The cable that comes with the MM-500 is a single-ended 6.35mm one, I think it is their “Ultra High Purity Cable”. According to Audeze it is specially tuned with directional OCC high-purity copper strands that provide a low capacitance and low resistance path for the signal to travel from your amp to the drivers, maintaining unsurpassed clarity and precision. Like with the LCD-5, I immediately replaced it by my balanced Forza Audioworks Noir HPC mk2 cable, my favourite cable for Audeze headphones.

I believe the midrange to upper midrange region is the star of the Wraith’s signature. The vocals and the instruments sound realistic, and organic while Wraith immediately makes you feel like tapping the floor during good Jazz tracks. Wraith stage projection is intimate. It puts the stage in front of your nose, up close. The perception of depth rather than width is more dominant. The imaging and the layering are great. The high treble travels through the stage and decays naturally, the Wraith uses its superior depth very well. The treble has enough bite without sounding strident and carries a good amount of detail. The Wraith gets a bonus resolution boost from here. The attack decay is very good.

PRaT-wise, Wraith feels dynamic and vibrant. It has no trouble dealing with complex passages, despite having a stage that is limited in width. On a side note, I wish it had slightly more clamping force as the sub-bass depends on that a little too much.

Overall, the Wraith is an excellent performer when it comes to certain genres and offers a different flavor compared to other planar headphones with its impressive technical foundation.

The Grado Labs Statement Series 3000x Headphones are musical masterpieces and killer cans. No matter whether I tried them with my phono source, A&K DAP, Paravicini HP4 Headphone Amp, or my restored McIntosh MR80 FM Tuner with a headphone jack, they performed with pure sophistication and high definition. More definition overall for any Grado Headphone I know of, they always communicated with a neutral and extremely linear presentation. Their sense of reality is state of the art. Their big surprise is their huge dynamic range and sub-woofer-like bass. What great fun! I happily give the new Grado Labs Statement Series 3000x my highest “buy” recommendation.

In their marketing materials, SIVGA promised the Oriole would have “a smooth, balanced, rich sound with a wide soundstage, good instrument separation, and high-resolution clarity.” After listening to these headphones for some time now, I think they made good on a lot of what they promised.

https://www.whathifi.com/reviews/bowers-and-wilkins-px8

Overall, the Bowers & Wilkins Px8 are hugely capable performers that justify their price with a combination of build and sound quality that cheaper alternatives just can’t match. Apple’s AirPods Max may have kick-started the market for higher-end wireless noise-cancelling headphones but, to our ears, these B&Ws deliver even more in the way of musical insight and enjoyment.

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There are some niggles but nothing that comes close to denting our enthusiasm for these headphones. They are a fine effort that deserve serious consideration if you are buying at this level.

The Beatles “Lucy in the Sky with Diamonds” (24-bit/96kHz) makes for an instant treat, and more clearly demonstrates the Apollos’ capabilities. As the intro notes pan back and forth, the Sendys become spacious and open, throwing the tones out into a farther reach. Vocals sit tight against the ears, while the drums distinctively come from behind my head. It is now an expansive, multi-dimensional sphere, weightless and tremendously enjoyable.

Wrapping It Up

During my time with Sendy Apollos, I compared them to a few of my own headphones, plus another pair on loan to me. With each comparison, I found the Apollos to be far and away a more comfortable, balanced, and better fit around my ears. Since some of my listening sessions with them went long, this comfort was hugely appreciated. Sonically, the Apollos performed well above their $499 price point, even with the use of a mobile phone. I may even invent a few reasons to escape before our time is done.

I think lows are the best part about the new Sundara Closed-Back, giving great slam, kick, rumble and also recovery. I’m not sure if it’s because of the closed-back design or the driver technology, but in terms of bass performance, this is one of the best headphones I’ve heard for the price. The punch and speed are certainly impressive, with great pace and decay. It also doesn’t affect the other parts of the spectrum