MARTEN COLTRANE SUPREME 2 LOUDSPEAKERS €390,000 pair REVIEW
July 26, 2015 Comments Off on MARTEN COLTRANE SUPREME 2 LOUDSPEAKERS €390,000 pair REVIEW
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“The real beauty of the big Martens is that they are one of the least overtly impressive or showy loudspeaker systems available today. Where so many big speakers scream, “Look at ME, listen to ME!” the Coltrane Supreme 2’s seem to spend all their time doing their level best to disappear. Their refined appearance is matched by their sound – they don’t project that solid, slab-like bass so beloved of audiophiles, so prevalent in demonstrations, and so rarely heard in reality.”
MBL exhibit $275,000 loudspeakers – Video
July 26, 2015 Comments Off on MBL exhibit $275,000 loudspeakers – Video
Dynaudio Focus 200 XD speakers Review
July 24, 2015 Comments Off on Dynaudio Focus 200 XD speakers Review
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” I can now hear the well known vocals not was recorded in a one-take session, which was difficult to hear, and maybe even impossible with other speakers. But the sound is gorgeous, all of the layers are pictured perfectly. The ease and the flow of the music is seductive, to say the least. And the piano actually now stands in my room – sound wise, of course.”
Trenner & Friedl ART Loudspeaker Review
July 22, 2015 Comments Off on Trenner & Friedl ART Loudspeaker Review
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“Quite recently I enjoyed a lot reviewing relatively inexpensive, amazingly dynamic shelf-speakers by Canadian Bryston. I didn’t think then that so soon after I would have chance to listen to another, even smaller speakers, offering even more impressive performance. In this case it is not about dynamics and fun that make performance so enjoyable, but, as one would expect from much more expensive speakers, about sophistication and coherence of the presentation.
Technics Reference Series R1 Speaker System $60,000 Review – Video
July 21, 2015 Comments Off on Technics Reference Series R1 Speaker System $60,000 Review – Video
THE COMPLETE GUIDE TO LOUDSPEAKERS
July 20, 2015 Comments Off on THE COMPLETE GUIDE TO LOUDSPEAKERS
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“The sheer difficulty of the job that a loudspeaker has to do has led to a diverse array of solutions. The first loudspeakers were simple horns, which still have a following today because nothing else can deliver dynamics and speed in quite the same way. Next came the infinite baffle with a conical driver, the simplest and least expensive solution, and the one which ultimately has proved most enduring.”
SVS Prime Towers $1,000 Review
July 19, 2015 Comments Off on SVS Prime Towers $1,000 Review
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“Beyond just a flat frequency response, a two channel system also has to deliver sufficiently low distortion and coherency to produce a great stereo image. The SVS prime does a great job at conveying space in a recording of instruments that have space around them. These instruments can be heard placed within the sound stage”
Amphion Argon 1 Speaker Review
July 19, 2015 Comments Off on Amphion Argon 1 Speaker Review
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” It’s the details that you notice when you’ve owned them for a little while that makes you realise there has genuinely been some time taken to make sure these are made properly. The waveguide is inserted beautifully and completely evenly all the way round with no sign of any glue or other adhesive around the edge. The speaker terminals at the back of the unit are also pretty solid and really are all you need for quick, easy connection.”
AVANTGARDE ACOUSTICS TRIO/BASSHORN LOUDSPEAKER SYSTEM $90.000 REVIEW
July 18, 2015 Comments Off on AVANTGARDE ACOUSTICS TRIO/BASSHORN LOUDSPEAKER SYSTEM $90.000 REVIEW
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‘ Avantgarde’s Basshorns differ from the other legs of the Trio by not employing spherical horns attached to cone drivers; instead their twin, 12-inch, paper-cone woofers (with neodymium magnets) fire into a mix of exponential and spherical curves, 55 inches (four-and-a-half feet) in length and approximately one square meter (about nine square feet) in diameter per module. Their stacking structure produces a cylindrical wavefront with calculated low-frequency cutoffs of 55Hz for two Basshorns (which have a collective mouth area of about thirteen square feet), 38Hz for four Basshorns (which have a collective mouth area of 36 square feet), and 24Hz for six Basshorns (which have a collective mouth area of 54 square feet). ”
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