Focal Scala Utopia Evo Loudspeakers $53,598 Reviews
April 19, 2022 Comments Off on Focal Scala Utopia Evo Loudspeakers $53,598 Reviews
https://www.soundstageultra.com/index.php/equipment-menu/1092-focal-scala-utopia-evo-loudspeakers
During my listening tests, I found that several subtle nuances distinguished each speaker’s sound signature, but the two characteristics that most differentiated the Scala Evo and 7F were bass reproduction and cohesiveness of sound. The Scala Evos consistently revealed punchier, weightier, and richer bass notes with greater volume and impact, despite the use of only one 10 5/8″ driver per speaker compared to the 7F’s twin 8 1/2″ drivers. This made the Scala Evos unequivocally more fun to listen to, particularly at low-to-medium volume levels. But—and this is a big but—the bass note delivery through the 7Fs was unfailingly more resolved, tuneful, and deeper when called for, and it ultimately felt as if this part of the frequency range was communicated through a clearer lens with the Paradigms. To give an example, after queuing up Boz Scaggs’s 2001 album, Dig (16/44.1 FLAC, Virgin), and focusing on the deep and rhythmic bassline on “Thanks to You,” I found that the Paradigms cleanly laid bare all of the bass notes contained within this track, whereas the Focals rolled them off more quickly and at times failed to illustrate the deepest notes altogether. In terms of resolution, the bassline through the Scala Evos was less articulately defined.

Audio Note UK M1 Phono preamp & Empress Silver parallel single-ended triode monoblocks Review $3,394 Review
April 19, 2022 Comments Off on Audio Note UK M1 Phono preamp & Empress Silver parallel single-ended triode monoblocks Review $3,394 Review
The more costly Audio Note M3 preamp and models above it use two stepped attenuators, one for each channel, and they have the most solid feel of all. The in-house-made Audio Note stepped attenuators are superb but they require more user attention to ensure setting both channels to the same volume level. And because they are stepped, they can become somewhat noisy if dust gets onto them when making volume adjustments. It does not affect sound quality mind you, but it will require some effort to keep the volume pots clean if you live in a dusty environment.
I had been using the M3 Phono as my reference preamp for a couple of years when I decided to upgrade to the M6. Audio Note largely builds to order with the higher-level items in their product range. With the pandemic, the wait time was to be around 5-6 months for the M6 Phono. My M3 was an older version that used twenty-three resistors while current versions use thirty-six steps. This, if you were wondering, is why I did not review the M3 as it is no longer a current model.


Audio-Technica ATH-ADX5000 Review
April 18, 2022 Comments Off on Audio-Technica ATH-ADX5000 Review
https://audiophilestyle.com/ca/reviews/audio-technica-ath-adx5000-review-r1093/
This comparison is a little more difficult. First, the HD800S is much, much more position and seal-dependent than the ATH-ADX5000, the HD6XX, or the Clear. Second, the HD800S I purchased don’t measure as well as the pair I reviewed earlier. Third, the right spot to anchor the graphs for comparison isn’t as obvious with the HD800S as for HD6XX or the Clear. Those issues aside, the ATH-ADX5000’s “W”-shape still predominates. However, the magnitude of the differences around 500 Hz and 2 kHz differ from both previous comparisons. Most notably, the HD800S’s downward slope from the lower-to-upper midrange minimizes the 2 kHz divergence seen with the other cans. While it’s not a large difference, the ATH-ADX5000’s low bass doesn’t roll off quite as fast as the HD800S’s — a characteristic of the latter that’s often bemoaned. In the treble region, the two cans seem to have a lot in common, except that the ATH-ADX5000 doesn’t fall above 12 kHz the way the HD800S does.

Dynaudio Emit 30 floorstanding loudspeaker Review
April 18, 2022 Comments Off on Dynaudio Emit 30 floorstanding loudspeaker Review
There’s a phrase used in audio; the ‘mug’s eyeful’. It summons up images of products that look like a bargain, but any notions of quality quickly stop at the word ‘look’. The Dynaudio Emit 30 is the absolute opposite of a mug’s eyeful; it offers superb value coupled with outstanding performance. They are every millimetre a Dynaudio loudspeaker, with the family sound and a deep, pounding bass that matches perfectly with the rooms in which such a loudspeaker will live. It’s a sophisticated design that cuts few corners to achieve that low price. Not only is it a good speaker, the Dynaudio Emit 30 throws down a gauntlet to other brands; if Dynaudio can do something like the Emit 30, why the **** can’t you?

LSA VT-70 TUBE INTEGRATED STEREO AMPLIFIER/HEADPHONE AMPLIFIER REVIEW
April 17, 2022 Comments Off on LSA VT-70 TUBE INTEGRATED STEREO AMPLIFIER/HEADPHONE AMPLIFIER REVIEW
To perform my listening tests of the LSA VT-70 Tube Integrated Stereo Amplifier/Headphone Amplifier I used my Audio-gd R2R-1 DAC as source, powered by a Core Power Technologies A/V Equi=Core 1000, and for cabling Cardas Iridium single-ended RCA interconnects, Cardas Iridium power cords, and a Cardas Clear USB cable. LSA recommends letting the amplifier warm up for about half an hour before listening for best results. This may seem like a long time, but truth is solid-state amps can take several days to reach full operating temp, for this reason, the amplifier that is now running my AV system has only been powered off during the last 40 years, for moves, system changes, and power outages. One further step I went through before doing any serious listening was to re-bias the tubes. While strictly not necessary as this was done at the factory, tubes can change over time, and environmental factors, as well as the effects of shipping, can cause this to change. As it turned out, the bias was a little high, not critically so, but worth noting. Due to space considerations, I set up the VT-70 on the far side of my desk facing away from me, so the remote control came in real handy.


PureAudioProject Trio15 Coax10 open-baffle speakers $8,250 Review
April 17, 2022 Comments Off on PureAudioProject Trio15 Coax10 open-baffle speakers $8,250 Review
The Trio15 Coax10 does not accomplish the full range, single point source sound signature perfectly. It obviously cannot, as there are two huge 15” woofers flanking the 10” driver. The ear perceives this, especially when bass-infused music is heard. However, this is not a problem, except for those who are willing to eschew lower frequencies in search of a perfect point source sound. You simply cannot have it both ways; the closest you can come is with a speaker like the Tannoy Glenair, which I reviewed back in 2008. But like the Glenair, with the Horn1 you are making a more difficult match of the 1.4” polymer tweeter to the 15” woofer. It works, and to many persons’ ears is a splendid result. But, by necessity, it leaves some room for improvement in the midrange and mid-bass, and that is where the Coax10 shines.
One of my system-building principles is that unless absolutely necessary, I will not be without deep bass, and ideally not without LF, i.e. lower than 20Hz from high-resolution audio files. I see those frequencies as necessary to grasping the extent of the performance. If it is a choice between having the pure point source with only a 10” driver or the PAP design with assistance from the 15” drivers, I will opt for the presence of the 15” drivers, because elimination of the bigger drivers forfeits not only the reproduction of those low frequencies, but also the potential for the tactile sense created by deeper and stronger bass. I do not wish to have a large set of forward firing open-air headphones, but a speaker system!

Estelon X Diamond Mk II $83,000 Loudspeaker Review
April 16, 2022 Comments Off on Estelon X Diamond Mk II $83,000 Loudspeaker Review
I think my assessment of the X Diamond Mk IIs is clear. This is not just one of the great floorstanding, direct-radiating loudspeakers; it is one of the greatest floorstanding, direct-radiating loudspeakers. Its relatively modest size (four-and-a-half-feet tall, a foot-and-a-half wide) and beautiful (and beautifully functional) shape make it ideal for modestly-sized-to-larger rooms (though Estelon’s bigger—and just as beautiful and innovative—transducers may better suit truly large spaces). Obviously, I recommend it. Indeed, I can’t recommend it highly enough. Which is why Alfred Vassilkov’s Estelon X Diamond Mk II is the 2021 winner of The Absolute Sound’s foremost honor, the Overall Product of the Year Award.

Chord Anni Desktop Amplifier Review
April 15, 2022 Comments Off on Chord Anni Desktop Amplifier Review
https://www.hifinews.com/content/chord-anni-desktop-amplifier
Is it a mini-amp with a fine headphone output, or a ‘head-fi’ design also capable of driving small speakers convincingly? However you look at it, Chord’s Anni is a great choice for desktop audio with a sound tailored to flatter partnering equipment. It’ll drive bigger, sensitive speakers at a push, but that’s not its role – the Anni ‘is what it is’, to quote an overused cliché, and looks and sounds well-judged for its tasks.


LSA Signature 50 Speakers Review
April 15, 2022 Comments Off on LSA Signature 50 Speakers Review
The LSA Signature 50 Speakers
There’s a cost to play because Underwood HiFi isn’t Amazon, Best Buy, or Nordstrom. If you don’t like the Signatures enough to keep them, there’s a 15% restocking fee. And you’ll have to pay to ship 50 pounds back. But remember, experience is what you get when you don’t get what you want, and everyone has to keep the lights on.
If the description of the LSA 50 Signatures ticks your boxes, you probably won’t want to send them back. That said, these are worth rolling the dice for. Should your system grow beyond the roots you plant with the LSA 50 Signatures, you’ll probably keep them for a second system or to pass on to your kids or a friend about to start their audio journey. They are that good.

Audio Research Reference 80S stereo power amplifier Review
April 14, 2022 Comments Off on Audio Research Reference 80S stereo power amplifier Review
That consistency is the joy of this amplifier. If you have a yearning for Big Boy Audio Research, but don’t want or need the additional power and the increased size, space, heat and price tag that top-end amplification requires, the Reference 80S is perfect. Making a bigger amp smaller is often a path to being disgruntled, or at least puts you some way from being ‘gruntled’. This is the first step on the Audio Research Reference power amplifier ladder, and I can’t help but feel that while it is for many the only step they’ll ever need to take, for others the excellent Reference 80S will be the first step into a world of the highest in high-end audio

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