Marantz Model 40n Streaming Amplifier Review
June 5, 2022 Comments Off on Marantz Model 40n Streaming Amplifier Review
https://www.hifinews.com/content/marantz-model-40n-streaming-amplifier
The Marantz ’40n/DALI set-up turned out to be an able pairing for – don’t shoot me – TV viewing, especially content featuring a lot of music. Case in point: ‘Letter To You’ on Apple TV+, a poignant ‘making of’ documentary featuring the latest album from Bruce Springsteen and the E Street Band.
It’s not the portentous tone of the narrator or the black-and-white photography that makes this documentary worth watching, but the excellent fidelity of the songs, and it’s certainly a step up to hear them played through the refined Model 40n. The Boss’s vocal reminiscences are suitably gritty, and when the band breaks into its first tune the amp handles the sudden jump in dynamics without hesitation. There’s something here for everyone.
Simaudio Moon Voice 22 Loudspeakers Review
June 4, 2022 Comments Off on Simaudio Moon Voice 22 Loudspeakers Review
https://www.soundstagehifi.com/index.php/equipment-reviews/1677-simaudio-moon-voice-22-loudspeakers
After a few weeks in the living room, I moved the 22s up to my main listening room, which is bigger—the ceiling is 8′ high again, but the main listening space is about 16′ wide by 18′ long. On top of that, the listening space behind my main listening chair opens into another 16′ by 18′ space that I use for storage. The speakers were atop the BBC stands, placed about 9′ apart from each other and 9′ from the listening chair, thus forming an equilateral triangle. The backs of the speakers were about 7′ from the wall behind them and 5′ to the walls beside them. This kind of setup puts small speakers at a severe disadvantage because they can’t benefit from room gain due to the significant speaker-to-wall distances, but it does allow me to hear more of the speakers and less of the room.
Powering the 22s through QED Supremus speaker cables was the Purifi Audio Eigentakt engineering-sample power amp I wrote about in September 2020. Driving the amp was an Anthem STR preamp-DAC (ARC room correction turned off), fed by streamed and SSD-stored digital music files from an Asus Zenbook UX303U laptop via a USB connection. Other cables and accessories were from Crystal Cable and Shunyata Research, as outlined in the equipment listing at the end of this review.
Ubiqaudiolab Ubicube Power Amplifier Review
June 4, 2022 Comments Off on Ubiqaudiolab Ubicube Power Amplifier Review
https://www.monoandstereo.com/2022/05/ubiqaudiolab-ubicube-power-amplifier.html
An uncompromising approach has also been implemented in the other supporting ancillary components such as the unique MCU control of all the amplifier’s vital protection functions, the special copper plates thermal management for the heat dissipating enclosure, the soft-start circuitry, the solid-state output switches with less than 1 milliohm, and so on.
Special attention has been paid to the rear panel of the amplifier, which houses one of the best connection sockets available on the market, as well as a beautiful design and an easy-to-understand explanation of the correct connection use and functions of this unique ubicube amplifier.
Vivid Audio G1 Spirit Loudspeakers Review
June 3, 2022 Comments Off on Vivid Audio G1 Spirit Loudspeakers Review
My obvious conclusion is that the Vivid Audio G1 Spirit loudspeakers are capable of simply magnificent transparency. I’m completely convinced. Does this come down to the acoustically slick enclosure design that mitigates any edge diffraction? Is it the driver complement, purpose-engineered and built specifically for these Vivid speakers? Or is it the result of some kind of magic that Laurence Dickie himself has conjured like Harry Potter into his flagship product? I can’t give you the answers to any of those questions (although I know for a fact that Laurence doesn’t look much like Harry). What I can tell you is that Vivid’s G1 Spirit loudspeakers are equipped with a resolving capability that is truly groundbreaking. And gosh, do they ever make dissecting the differences between connected electronics an absolute cinch.
My takeaway on the Vivids is this: The G1 Spirits will allow anyone to hear the true stereophonic beauty of the equipment they’ve so carefully assembled in their listening room. And since that beauty is only displayed when a system is actually playing back music, it’s the music lover who ultimately wins when listening to Vivid’s G1 Spirits.
Chord ClearwayX $19.70/m Review
June 3, 2022 Comments Off on Chord ClearwayX $19.70/m Review
https://www.whathifi.com/us/reviews/chord-clearwayx
With the Chord speaker cable linking the amplifiers to the speakers, we get an organised and musically cohesive performance. Listening to Hans Zimmer’s Interstellar OST, we can’t help but be engaged by the vivid dynamics and punch on offer. There’s an excellent level of insight and a sense of spaciousness that’s impressive.
Tonally, things are nicely even-handed, with the crisp yet controlled higher frequencies being balanced by a taut and authoritative bass. That feeling of cohesion is helped by a surefooted handling of rhythms and a fine sense of drive.
These strengths are highlighted when we play Massive Attack’s Heligoland where our systems render the sound with punch and power. We love the way instrumental textures are reproduced and the expressive way vocals come across. There’s plenty of clarity here and enough insight to dig deep into the dense production should you wish. Most importantly of all, we’re having fun.
KEF LS60 Wireless HiFi System
June 2, 2022 Comments Off on KEF LS60 Wireless HiFi System
https://audiophilestyle.com/ca/bits-and-bytes/kef-ls60-wireless-hifi-system-r1106/
The digital part of the LS60 Wireless is very close to the LS50. The same input platform is used (my guess is StreamUnlimited card) and the same reasonable restrictions are in place. A wired Ethernet connection between the speakers enables up through 24/192 playback, while a wireless connection is good up through 24/96. The speakers support receiving 24/384 and DSD, but this will be not be played natively.
Given that these speakers have internal digital signal processing (KEF calls its DSP suite the Music Integrity Engine), the input of anything above 24/96, or even DSD, is likely going to be downconverter anyway for processing. Not a big deal at all because the benefit of this DSP will greatly outweigh any real or perceived benefit of the higher resolution music.
Gryphon Audio Designs Apex Stereo Amplifier $99,000 Review
June 2, 2022 Comments Off on Gryphon Audio Designs Apex Stereo Amplifier $99,000 Review
Next, I moved on to something more delicate: Esther Abrami’s eponymous album (Esther Abrami, 24/48 MQA, Sony Classical/Tidal). The 25-year-old violinist has introduced classical music to thousands of new listeners through her TikTok and Instagram posts, and her first album on a major label, released in March of this year, is a wonderful listen. It was made even more so with the Gryphon Apex anchoring my system. The fourth track, “Tomorrow,” is one of my favorites, particularly for the interplay between violin and piano, which combined to pour rich sound into my room through the Apex. The piano that begins the track was weightier and more tonally saturated than I’ve heard it, and the French player’s violin was satisfyingly resonant—that word again—and textured, yet silky smooth and present in my room. I could not believe how much better this track sounded over my system with the Apex. It honestly made my old setup sound like the dreaded “hi-fi” by comparison: clean and precise, yet still lacking in realism.
Acoustic Signature Tornado Neo Turntable with TA-2000 Neo Tonearm Review
May 31, 2022 Comments Off on Acoustic Signature Tornado Neo Turntable with TA-2000 Neo Tonearm Review
Both album versions of this overture (different orchestras, conductors, locations, and recording equipment) had nearly identical overall timing, yet provided appropriately unique sound signatures when played back with the Tornado Neo and TA-2000 Neo. The Witches’ Brew LP had a more forward presentation with additional upper-midrange emphasis (think strings, woodwind, brass, and non-bass percussion), while maintaining excellent clarity and dynamic agility. Timing and pacing, as presented by the combo, were as good as expected and proved to be a conduit for a bundle of energy when called upon. The Mephisto & Co. version of “Tam o’ Shanter” presented additional fullness and power in the lower registers of all instruments (especially in the bass region), while maintaining the rhythmic pacing of the performance. Energy was excellent, tilting a good bit towards the lower register of any instrument used during reproduction. This contrast is normal for these recordings and consistent on any of the playback systems I have in-house. The Tornado Neo and TA-2000 Neo combo reproduced the expected differences in these performances with relative ease.
With an already solid construction supported by the Neo advancements that Acoustic Signature has implemented across the board on all products, the Tornado Neo and TA-2000 Neo provided near-exceptional performance in its price class along with countless hours of musical enjoyment.
ROTEL RA-1572MKII AND RCD-1572MKII MUSIC SYSTEM $2,100 REVIEW
May 31, 2022 Comments Off on ROTEL RA-1572MKII AND RCD-1572MKII MUSIC SYSTEM $2,100 REVIEW
In tribute to the Foo Fighters (RIP Taylor Hawkins), I had to listen to their acoustic performance from Hollywood’s Pantages Theater in 2006. Cold Day In The Sun is Hawkins’ chance to shine on lead vocals and his punk/grunge style shone right through a busy drum accompaniment. Dave Grohl’s backing vocals appeared at the right moments in perfect balance. Other songs like Everlong and Skin and Bones brought their acoustic guitar lines to the fore. It was easy to hear the fingerboard shifts and the difference between strings plucked by a pick or with a finger.
Compared to other high-end components I’ve heard like NAD, Hi-Fi Rose, and Anthem, the Rotel RA-1572MKII, and RCD-1572MKII combination delivers a warmer sound. That’s not to say there is a lack of detail, far from it in fact. You can hear every nuance and the dynamic range is tremendous. I was encouraged to listen to soft passages as they were presented with a fragile transparency that I found addictive. Loud sections were clean and expansive with a sound stage that was neither too broad nor too narrow. It didn’t quite go beyond the walls of my room, but it filled the space around and over my head.
Von Schweikert Audio Endeavor SE Floorstanding Loudspeaker $25,000 Review
May 30, 2022 Comments Off on Von Schweikert Audio Endeavor SE Floorstanding Loudspeaker $25,000 Review
This would result in several patented innovative technological applications that continue to evolve and be employed in practically every Von Schweikert Audio speaker design, among them the Global Axis Integration Network (G.A.I.N.) and Acoustic Inverse Replication (A.I.R.) or “Inverse Microphone” concepts, all furthering the sonic objective of realism. Secondly, and in a word, I say again – Space. Beyond their truthfulness to pitch, intensity, duration, and timbre, the ESE authentically recreates the performance space in a manner and scale I’ve never before experienced from a full-range speaker of this footprint or price point. A presentation that envelopes the listener with all the excitement and visceral energy of the performance venue, off- and on-axis. It is indeed, “The Sound of Reality” — That sonic hologram we all strive to create.
Audiophilepure 
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