Audiophilepure

The Parasound JC 1+ Monoblocks

However, I have met a number of music lovers that have experienced those systems, and while equally passionate, would love a system in the $100k – $200k range offering as much of the sonic benefits that these no holds barred systems render, but with more realistic budgets. If you are someone with this priority list, and want solid-state amplification, the JC 1+ monos should be at the top of your list. I have yet to hear a pair of solid-state amplifiers that offer anywhere near this much sonic excellence and sheer power for anywhere near the asking price of these amplifiers. Should you be on the way up in your audiophile journey, assembling a mega but sensibly priced system, these could also be your first major anchor as you build that system. With this much power on tap, you certainly won’t have any limits with your speaker choices.

Finally, one other aspect of these amplifiers that rarely gets mentioned in the context of a hifi review is long term value and durability. I’ve never seen a complaint about Parasound on the internet anywhere. In a world where all the internet pundits complain about everything on a regular basis, I looked for a few days to see if anyone had any kind of problems with Parasound, either in terms of disappointment with the purchase, to lack of support, or problems with repairs. For that matter, I couldn’t find a single horror story about a Parasound product croaking, anywhere. And I have my share of horror stories about a few brands that cost 2-5x what these amplifiers do, that took months (and in one instance years) to be repaired. Parasound’s stellar reputation for build quality should weigh heavily into your matrix when thinking about dropping this kind of cash.

Our cottage is on the smaller side. Cozy, but not the best place to visually showcase an amplifier of the Rotel’s caliber. My setup would have to be tucked away into a corner and brought out for listening sessions. Listening at high volumes for long periods wasn’t going to happen either as our cottage doesn’t really have the space. I gave it the old college try mind you but all I succeeded in doing was damaging my hearing and knocking things off shelves.

The benefit of our cottage is that it’s quiet. I mean, I knew that it was quiet, but I didn’t realize how quiet it was until I started reviewing the Rotel A14 MkII. Compared to our former home in the city, there was a lack of noise pollution. Construction, cars, people talking (or yelling in our old neighborhood). Making listening much more insightful and subtleties more apparent. It got me thinking of a future renovation of our cottage to make room for a proper listening area.

Equally important, the Enyo’s sonic consistency and lack of coloration in its high-level input, phono, and digital modes are all notable. The phono and digital modules have very little sound character of their own, and the same is true of the passive preamp and tube power amp. The Enyo modules provide a clean, neutral sound; the power amp is also neutral, rather than a classic or “warm” tube amplifier. You don’t hear “new” aspects of the music in the upper midrange  and the highs. You hear what is on the recording. The lower midrange has equally accurate timbre, and there is no added emphasis on low-level detail, or tendency to provide more exciting dynamics than you find on the recording or source material. If you are looking for a unit that  changes or accentuates some aspect of your recordings, has a euphonic emphasis that suits your musical taste, or complements some favored coloration in your speaker or cartridge, this simply isn’t the unit for you. 

https://audiophilestyle.com/ca/reviews/schiit-audio-yggdrasil-less-is-more-review-r1049/

Another instrument where you hear the improvement with the LIM is a Hammond B3, which just has more of that warm organic tube sound of the real thing. As for bass, listen to the track Starbuck Blues from The Ray Brown Trio, live at Starbucks (link). I was fortunate to see Ray Brown perform once in a club and through the LIM, this is what I remember his bass sounding like, even more so than through the OG. Meaty, rough and gruff. Ditto for the track C.C. Rider from Overseas Special featuring Monty Alexander on piano, Herb Elłis on guitar and Ray Brown on bass. Through the LIM, you hear even more of the club ambiance in this live recording. Please check this one out if you haven’t already.