FIIO FD5 DYNAMIC DRIVER IEM & UTWS3 UNIVERSAL TRUE WIRELESS AMPLIFIER REVIEW

May 3, 2021 Comments Off on FIIO FD5 DYNAMIC DRIVER IEM & UTWS3 UNIVERSAL TRUE WIRELESS AMPLIFIER REVIEW

As befits a flagship IEM the FiiO FD5 Dynamic Driver IEM comes in an elegant magnetic clasp box with a plethora of accessories including five different styles of ear-tips (three of which come in three different sizes while the foam and tri-flange come in two), two interchangeable sound tubes (to accommodate different ear canals as well as offer different sonic properties), three interchangeable audio jack connectors (2.5mm TRRS, 3.5mm TRS, and 4.4mm TRRRS), an expanded MMCX cable with 8 strands of monocrystalline silver-plated copper cable, an HB5 imitation leather storage case, a cleaning brush, and a special Final MMCX ASSIST MMCX detachment tool, along with the obligatory manual and audio jack swap cheat sheet.

THIEAUDIO LEGACY 4 REVIEW

May 2, 2021 Comments Off on THIEAUDIO LEGACY 4 REVIEW

For its price, the Legacy 4 has an excellent package and offers a great unboxing experience. Once you open the zippered bag, you’re welcomed with the earpieces, 6 pairs of silicone tips, and a very generous carrying case. The case itself is high quality with protected foam inside. The fact that you can use the big case which stores all the content in itself for other purposes, is awesome.

The build quality is above standard in this market for a budget level like this. The IEM looks very clean, neat, and premium. Although the inside of the shell is painted black, you can actually see the internals under some light. I can say that inside the IEM is nicely packed and clean-cut as well. The tuning switches feel very nice too, and the bass port is beautifully cut. The nozzles have a seamless connection to the shells. Everything is nice and clean here with no worries regarding build quality.

Degritter Automatic RCM £2,300 Review

May 2, 2021 Comments Off on Degritter Automatic RCM £2,300 Review

https://www.hifichoice.com/content/degritter-automatic-rcm

With some drops of cleaning fluid added to the water to aid cleaning, I opt for the Quick program and press play. The chamber surrounding the playing surface fills with the distilled water and the record slowly rotates as the ultrasonic cleaning process takes place. The status display counts down the remaining cleaning time followed by the desired drying time that’s set separately (up to 20 fan speeds can be selected).

Even after the machine’s shortest clean, I am left with a shiny piece of vinyl that looks to be rejuvenated after removing years of dirt and grease from careless fingerprints while avoiding any moisture contamination on the record label itself. The disc looks so pristine, I play it immediately to hear the result and there’s no doubt the sound is brighter and more focused and there’s a significant decrease in surface noise.

AUDEZE EUCLID $1,299 REVIEW

May 1, 2021 Comments Off on AUDEZE EUCLID $1,299 REVIEW

The Audeze Euclid features a wide soundstage with effortless neutrality packing fantastic mid to high range clarity. It’s accurate with the tonality and timbre of wind and string instruments and has an upper mid pronunciation giving it a bit of sparkle there. The general signature can be described as light and with a present but fairly minimal bass response. The vocals suit females more due to its flat mid-range clarity with upper mid boost. I found male vocalists to be decent but the Euclid does miss out on reproduction of the lower-vocal range making it less fitting for husky and deeper voices. The duo between Bradley Cooper and Lady Gaga with the song “Shallow” is a good example of this. The earphone can also be sibilant and have a scratchy upper range at times.

Audionet Humboldt Review

May 1, 2021 Comments Off on Audionet Humboldt Review

FIDATA HFAS1-XS20U SOLID‑STATE MUSIC SERVER WITH SSD STORAGE REVIEW

April 29, 2021 Comments Off on FIDATA HFAS1-XS20U SOLID‑STATE MUSIC SERVER WITH SSD STORAGE REVIEW

http://www.hifiplus.com/articles/fidata-hfas1-xs20u-solidstate-music-server-with-ssd-storage/

Listening to the Fidata – especially in the most uncompromised, most direct ways – highlights the Japanese are eschewing the PC in an audio setting for a reason. HFAS1-XS20U server rips and plays your stored music exceptionally well, and if that means it should be unencumbered by demands for streaming services on purely sonic grounds, then so be it! Those who want to enjoy their digital music collections at an uncannily high level of resolution and musicality will find an awful lot to like about this beautifully executed and highly refined server. 

PrimaLuna EVO 300 Integrated Amplifier Review

April 29, 2021 Comments Off on PrimaLuna EVO 300 Integrated Amplifier Review

https://www.hifinews.com/content/primaluna-evo-300-integrated-amplifier

Because these recordings were of the same vintage, with known recording hardware, the transparency of the EVO 300 – categorically not found in vintage amplifiers to this degree – will delight you if you’re a student of early record labels. I am not schooled in classical, so I can’t tell you which of Mercury, Columbia, Decca or RCA did the best with symphony orchestras, but you will definitely hear the ‘Capitol sound’ versus ‘the Columbia sound’.

It’s more complex than studio versus studio, eg, you also have to factor in Mitch Miller versus Nelson Riddle, but the pleasure of discovery is there. The EVO 300, in stock form, was a revelation. But, oh, to have the time to indulge in trying every one of the tubes it can accommodate.

And The Honeycombs? So chunky was the pounding, overegged-by-Joe-Meek drumming on the title track and ‘Just A Face In The Crowd’ that I suddenly lost the urge to swap out the EL34s for 6550s. For the weight of the drums alone, you can declare that this amp rocks. Whatever the tube.

PS Audio Stellar M1200 Amplifier Review

April 28, 2021 Comments Off on PS Audio Stellar M1200 Amplifier Review

The hall ambience it coaxes into your listening room also means that the lower regions of the piano resound with great fidelity. The piano chords have a 3-D dimensionality to them that is quite winning, particularly in the bass region. Ah, the bass region. I’ll admit it. I’m something of a bass fanatic, and not just because my system is located in the basement. Nor is it that I’m intent on pounding out the low bass on rock recordings, though I’ll confess that I enjoy it upon occasion

Belden Speaker and Interconnect Cables and BAV Power Cords Review

April 28, 2021 Comments Off on Belden Speaker and Interconnect Cables and BAV Power Cords Review

A word to the smarmy, arrogant types who make ridiculous proclamations in regard to all cables sounding the same, and that there is no “science” behind aftermarket cables. I submit for your education Galen’s nearly three-hour YouTube video of his discussion with the San Francisco Audiophile Society in regard to the science behind cable design and manufacturing. It is an eminently in-depth discussion, and that alone should make skeptics think twice before demonstrating their ignorance. When you have one of the world’s foremost authorities going through the minutia involved, you do best to keep your mouth shut and listen!

Classé Audio Delta Pre Preamplifier-DAC $9999 Review

April 27, 2021 Comments Off on Classé Audio Delta Pre Preamplifier-DAC $9999 Review

https://www.soundstageultra.com/index.php/equipment-menu/1036-classe-audio-delta-pre-preamplifier-dac#most-read-equipment-reviews

I’m not a big fan of tone controls, but I appreciated how the Delta Pre allowed me to select an inflection point, then apply up to 6dB of boost or cut. In my setup, this helped restore a bit of weight around my room’s 31Hz suckout. I then applied the PEQ’s maximum boost of 3dB. Having exercised enough restraint to ensure that the result didn’t sound artificially boosted, the cumulative effect was a moderately more fulsome-sounding bottom end. What really filled in that suckout was to turn off the Tone controls and add both subs. Adding them with no adjustment of PEQ yielded bloated, uncontrolled bass, and worsened two of my room’s bass modes. But after taking a few measurements, making independent PEQ settings for each subwoofer (using the Aux output to enable stereo subs), and fine-tuning the crossover slope for each sub, I could barely tell that they were on. The only clue was the only one that matters: I heard a smoother, punchier, more linear bottom end, especially below 40Hz. Providing this way of fine-tuning the sound and integrating one or two subwoofers into a system makes the Classé Delta Pre a dream component for listeners who need these features and this kind of flexibility.

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