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“Once again, I went back to the HE1000 V2s, and once again, the difference was obvious. The HE1000 V2s made Jackson’s tenor sax sound breathier and thinner, and overemphasized Drummond’s brushed cymbals. This time, I also threw in Audeze’s LCD-Xes ($1799), a well-regarded open-backed, planar-magnetic design. The LCD-Xes gave me a much different sound. It was punchier, with stronger bass and treble — more dynamic, more kick-ass, but also more like a typical multimiked, multitracked jazz recording than a Chesky recording”

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