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Quiet passages conveyed ample negative space and were noise-free. And when the clangorous swells of guitars and keyboards eventually burst in, the sound retained a sense of ease, as opposed to becoming strained. Furthermore, the bass guitar sounded rock-solid and deep, and it retained its fullness over a range of volume levels. For kicks, I turned on SRC again to convert the Tidal FLAC stream to DSD. Same as with the Young track, the sound transformed in a good way: Details that had been layered deep in the mix, such as burbling synths and a forlorn, faraway trumpet, gained in clarity. To use a visual metaphor for what I was hearing, it was like tweaking the focus on a pair of binoculars.

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Tagged: Cary Audio AiOS Integrated Amplifier/DAC/Streamer Review

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