September 2, 2019 § Leave a comment

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“My first experience with this amplifier was in tandem with the matching SA-KI Ruby disc player/DAC and Revel 126Be loudspeakers, which produced an extremely polished and refined result but not one that was in danger of causing the listener to break a sweat. This was a case of three rights not adding up to a wrong but neither was it a successful combo, so I concentrated on the player in a variety of systems and left the amplifier to fend for itself. And it fended rather well once I had found a sympathetic speaker. That said it didn’t do badly with my usual choice of transducer, the PMC Fact.8, which brought out the musical skills of the PM-KI Ruby rather well. I spent some time listening to vinyl spun on a Rega RP10 with Aphelion MC cartridge and was pleased to find that the MC stage on the amp had sufficient gain to produce a dynamic result where the recording warranted it. Not all my favourite music is that well produced, however, and where compression has been used the Marantz will make it fairly clear. It’s a usefully transparent amplifier albeit one with a refined presentation that can fool you into thinking that it’s smoothing over the fine detail. In fact, it’s just very fine grained and revealing – put on something raw and it will sound that way. There’s decent power and drive on Ryley Walker’s Primrose Green[Dead Oceans] but it is reined in by the annoying powers of limiting. And yet that doesn’t get in the way of the music, which is close to the performance you’d expect from a decent standalone phono stage. ”

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You are currently reading MARANTZ PM-KI RUBY INTEGRATED AMPLIFIER £3,500 REVIEW at Audiophilepure.


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