September 15, 2020 § Leave a comment

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“Comparing the two, the music, like the amps themselves, is lighter weight with the Audion. (6.5 pounds for each Audion versus 22 pounds for each Vivace.) The soundscape is equally broad, but the musicians seem more firmly anchored in place with the Vivace and there is a greater sense of physicality, not only in the musicians and the music, but of the space among the players — more room tone, if you will. The atmosphere of the venue becomes more prominent in live performances, whether rock ‘n roll, jazz, or classical. With the larger power supply, there is also greater control of power passages, whether crescendos in rock, classical or deep organ. Sustained notes extend without wavering. The similarity to tube amplifiers is uncanny with smooth, three-dimensional notes, particularly when used with a tube preamp.

What this adds up to is greater involvement with the music. It takes less mental energy to convince yourself that you are listening to live music and the music reaches out to you and pulls you in with realism that I have rarely heard before — and only in much more expensive systems, or with music that was not complex. This is not the pull of romantic musicality such as you get with a high-efficiency speaker driven by a 2A3 SET amp, but the pull of seemingly live music being performed in front of you right at home. This was my response to the Vivace driven by my Coincident Statement Line Preamplifier and Statement Phono Preamplifier. But read on. The story gets even better, and perhaps even worse.”

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You are currently reading AGD ANDANTE PREAMPLIFIER AND VIVACE MONOBLOCKS $15,000 REVIEW at Audiophilepure.


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