Cabasse Pearl Akoya Powered DSP $1900 Each Loudspeaker Review

January 21, 2022 Comments Off on Cabasse Pearl Akoya Powered DSP $1900 Each Loudspeaker Review

The question implied at the outset of this article still looms. Is Cabasse’s Pearl Akoya “lifestyle?” Is it a true portable? Is it really high end? It’s actually the sum of all those things. And it’s something more—add a high-resolution streaming service, and it becomes a fully self-contained, high-performance system, and with that, you’re done, fini. And that’s a very attractive proposition whether you’re burning the midnight oil in a home office, kicking back at an outdoor BBQ, or just spending an evening relaxing to your favorite playlist in your den. If these scenarios describe you, Cabasse’s “go anywhere, go anytime” Pearl Akoya may be just the system you’ve been looking for. Heartily recommended.

Technics EAH-AZ40 Review

January 21, 2022 Comments Off on Technics EAH-AZ40 Review

https://www.whathifi.com/us/reviews/technics-eah-az40

Up at the top end, the Technics are this close to hardness – the confidence they demonstrate further down the frequency range is very nearly overplayed here. Certainly there is a degree of bite to treble sounds that makes turning the volume right up something only the very brave indeed should involve themselves with.Advertisementhttps://f8fccae954b6130965d78ff7f9a8e318.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

This kind of attack makes for a fairly dynamic listen, mind you. From the solo Piano of Satie’s Gymnopédie No. 1 to the wedding-cake pile-up of Wilco’s I Am Trying To Break Your Heart, the EAH-AZ40 have no problem making both broad and minor dynamic variations obvious. But it also seems to impact the Technics’ ability to properly express rhythms, and not in a good way. They don’t flow so much as trudge, and the closer your music edges towards the dancefloor the more uncomfortable the Technics sound.  

dCS Bartok $15,000 Review 

January 21, 2022 Comments Off on dCS Bartok $15,000 Review 

SONUS FABER GRAVIS III SUBWOOFER $2,750 REVIEW

January 19, 2022 Comments Off on SONUS FABER GRAVIS III SUBWOOFER $2,750 REVIEW

As I mentioned earlier, you’ll need the Gravis app to do the majority of the subwoofer’s setup. I grabbed a copy of the Gravis app from the Apple App Store and installed it on my iPhone 11 Pro. The app found the Gravis III within a few seconds and prompted me to connect via Bluetooth. Even once paired, the blue connectivity light on the back of the sub continued to blink every few minutes which was very noticeable when watching movies at night. Fortunately, Sonus faber released a firmware update to address this and now the light will only blink a few times when the Gravis powers up. From the main app screen, you can see the available Gravis subs, a choice of four EQ modes, and a volume level. Choosing the sub you wish to calibrate allows you to select some additional screens. I tried the Auto EQ first. The app prompts you to place your phone near the sub and then triggers a test tone

CH Precision • L1 Preamplifier and A1.5 Stereo Amplifier $39,500 Review

January 19, 2022 Comments Off on CH Precision • L1 Preamplifier and A1.5 Stereo Amplifier $39,500 Review

https://www.theaudiobeat.com/equipment/ch_precision_l1_a15.htm

Where does all this fit into the overall scheme of things? If the CH Precision I1 integrated amplifier gave a hint of what the gear upstream in the CH Precision line sounds like, the L1 and A1.5 are like a full menu at Arpege in Paris (11 courses) or Atelier Crenn in San Francisco (14 courses). As with when dining at these restaurants, all you need is one experience and you are left with an impression, no matter what your level of experience or sophistication, that will remain with you for a lifetime. Like the L1 and A1.5, those meals are not for (or attainable by) everyone. Unless you skimp on the wine pairing, you will be looking to drop $1000 per person at either restaurant. The L1 and A1.5 are expensive. They might be the entry point as far as CH Precision separates are concerned, but they are still genuinely aspirational components, ones that will likely require some effort and expense to hear in a showroom or system. But they are innately musical in a way that is incredibly hard to find elsewhere. Are they 10 Series beaters? Of course not. To carry the food analogy a step further, the M10 provides a world tour, embracing a seemingly endless procession of equally impressive culinary opportunities. However, the CH Precision A1.5 shares the M10’s DNA and shares its fundamental magic. While you can label the L1 and A1.5 as “entry level” in CH Precision terms, perhaps it’s more accurate to think of the pair as entry-level ultra-high-end audio, marking, as they do, a step up in musical expectation

Spatial M4 Sapphire Open Baffle Speakers

January 19, 2022 Comments Off on Spatial M4 Sapphire Open Baffle Speakers

Accustic Arts AMP V power amplifier $50,000 Review

January 18, 2022 Comments Off on Accustic Arts AMP V power amplifier $50,000 Review

https://www.stereophile.com/content/accustic-arts-amp-v-power-amplifier

Can any single review of audio equipment be definitive, given the differences in listening rooms, equipment configurations, and human sensibility? Perhaps not. Nonetheless, a few things about the AMP V are incontrovertible. It’s not just a powerhouse; it’s a musical instrument that produces bright colors, huge images, and seat-shaking bass. Nor does it skimp on detail. While I didn’t journey into heavy metal during my time with the AMP V—Bromberg, Holst, and Shostakovich on steroids were as close as I got—the AMP V sailed through numerous ultradynamic tracks whose cumulative percussion and brass would leave many a rock fan diving for cover.

The AMP V is one of the finest and most musically satisfying amplifiers ever to enter my audio system. Anyone with a spare $50,000 (and who doesn’t require easy portability) would be foolish not to give it a serious audition.

Isolation Platforms from Marigo Audio Lab Review

January 18, 2022 Comments Off on Isolation Platforms from Marigo Audio Lab Review

If you own one of the discontinued Isothermal Platforms, you’ll find the same features present in the replacement product, but better in every way. Instruments seemed to bloom with a constant swirl of shifting micro dynamics when I swapped in the Level 2 Isolation Platform. With the Level 3 Isolation Platform, the innermost action of the instruments was exposed as never before, bringing us closer to their real world behavior. You don’t often encounter this level of acuity in reproduction.

These platforms are powerful. I found some degree of placement experimentation useful, so be prepared to putter about. But when you hit upon a synergistic placement, the benefits are indeed significant. They invite you to sit down, chill a while, and be amazed. With a few of the L2 and L3 platforms, the competing demands of musicality and resolution were satisfied, and my soundroom was at peace. The King and the Bishop were quietly glowering in their corners, awaiting the next bout.

$329,000 Wilson Chronosonic XVX speakers

January 18, 2022 Comments Off on $329,000 Wilson Chronosonic XVX speakers

Capital Audio Fest 2021—

January 18, 2022 Comments Off on Capital Audio Fest 2021—

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