Audiophilepure

https://www.audiophilia.com/reviews/2016/5/25/the-wilson-benesch-full-circle-turntable

The first thing that hits you about the Circle is its pinpoint imaging: side to side, front to back and in height as well. Take, for example, the numerous percussion flourishes in the score of Debussy’s Iberia [Classics LSC-2222]. The castanets and tambourines are suddenly located freely in space, quite high above the loudspeakers. Solo instruments are portrayed with rock-solid positioning and plenty of air.

The noise floor, even with a low output cartridge like the Lydian, is exceptionally deep and black. The 1980 RCA Red Seal pressing of Takemitsu’s Waves [ARL1-3483] is hardly state-of-the-art, and yet the expanse of RCA Studio A spread before me, populated with living, breathing musicians.