Audiophilepure

https://www.whathifi.com/us/reviews/goldmund-telos-590-nextgen-ii

All this talk of detail and precision could set alarm bells ringing for those that are wary of sterile but highly detailed presentation. To those people, we say there’s no need to worry. Older Goldmund amplifiers may have erred towards the clinical, but not this one. The 590 Nextgen II sounds natural and fluid, and certainly delivers this Arvo Pärt piece with all the verve and emotional impact it deserves.

While this Goldmund’s stereo imaging isn’t the most spacious we’ve heard, there’s no denying the focus and stability in its presentation. Instruments and sounds are locked into position making it easy to place the orchestra within the recording venue. It’s a sound packed with confidence and authority.

https://www.hifinews.com/content/rotel-ra-1592mkii-integrated-amplifier

In fact, Rotel’s RA-1592MKII proved a very capable all-rounder even if its digital section lacked just a little of the sparkle I recalled from the costlier Michi X3. The latter edged home on ultimate sound quality even if it’s still bettered on format compatibility by a few relatively affordable external DACs. As is the RA-1592MKII, although it remains more than good enough for most needs and will serve well anyone wanting to explore just what their computer can do when connected to a high quality amp.

Meanwhile, used as a purely analogue amplifier, this beefy new Rotel integrated is good enough to justify its price even if you’re never going to use its digital section, and should definitely be considered if you fancy a Michi X3 but want to save yourself some cash

https://www.whathifi.com/us/reviews/cyrus-i7-xr-integrated-amplifier

You could say the i7-XR is like a professional orator – seemingly effortlessly articulate and a natural in getting messages across as precisely and coherently as possible. And in terms of these traits, the i7-XR is, like many Cyrus components before it, up there with the very best at this level. Play Eminem’s Killshot and his biting vocal cuts through the middle of the soundstage with intensity and focus, as if he’s spitting his lyrics just centimetres from your face during a rap battle. The track is fast and lively, and the Cyrus keeps up.

Switch momentum completely, to Ludovico Einaudi’s Oltremare, and the notes are precisely drawn and dynamically varied enough for us to stay interested during the composition’s 11-minute duration. There’s plenty to like.

We’re pleased to report that the second-gen QXR DAC is of a decent calibre, too, if you did want to connect a digital source that way. Not all DACs built into such machines offer quality as close to the analogue performance, but while the digital delivery (we stick mostly with the ‘Apodising’ digital filter) isn’t so fast-footed or full as the analogue, the stark clarity, spaciousness and general communicativeness are well retained.