Audiophilepure

NAD has produced a component that is almost the unicorn of audio products. It is a streamer, a top-quality DAC, an amplifier (and pre-amp), dual sub outs and with BluOS, a plethora of streaming services at your command. HDMI allows for a simple home theater set up. The screen is customizable and easy to use and see from across the room. Besides all the great sound, the NAD M10 V2 is just fun to use. Highly recommended!

ZZ Top bass player Dusty Hill sadly passed away toward the end of my listening, so I paid my respects by putting Tejas [Warner Bros] on the turntable and allowing the Rega Aphelion 2’s stylus to work its way across side A to the fabulous ‘Enjoy and Get it On’. The needle was sufficiently warmed by the third track for the raw sound of the band’s precision boogie to really get under my skin and by the time the desired track came around it was smoking, Billy Gibbons’ guitar delivering a scorching solo over the perfectly synched rhythms of Hill and drummer Frank Beard. With a digital source supplying a line level signal you get a bit more detail and finesse than the onboard DAC with equally impressive timing but in truth the result wasn’t dramatically superior to the onboard converter, and that, for a £2.5k component, is a decent result.

The term I would use is stoic. Don’t expect audio fireworks or a warm hug kind of sound. Yet the Parasound JC 1+ does all the things you’d expect an amp of this caliber to do. There was no major sense of lack of color or excitement, they simply tell a speaker to move like the music moves, just not in quite the same way that those ultra-mega-buck vacuum tube or solid state amps do. Now that I’ve gotten used to a high level of performance in my system, I find color to be very overrated. Yes, I still love the listening experience I get with vinyl and tubes. However, even in that area my taste has evolved to the cleanest sounding of tubes and record playing devices and similarly with solid state gear. But I’m very picky about the exact kind of clean.

On my wish list for the Parasound JC 1+ would be a very slightly bloomier low end along with a smidgen of extra juice to the mids. No, the amps never sounded thin, but for me most stuff I played didn’t quite have the harmonic juice and sense of thickness and density that I hear in most tube amps and many ultra pricy solid state amps.

https://www.hifinews.com/content/nad-c-700-streaming-amplifier

A genuine one-box hi-fi solution, NAD’s C 700 bundles wired and wireless connectivity, slick app-based operation and punchy amplification into a pleasingly small enclosure. In that sense it’s very much a junior version of the M10, and those who can live without touchscreen control and Dirac Live room correction should grab a listen. There’s energy and detail here aplenty. Call it ‘the little amp that could

https://www.audiophilia.com/reviews/2021/10/26/s7x2fq5u8t3vnm5tv63vz200n8kniz

The magnificent ESOTERIC Japan remastering of Wagner’s Der Ring des Nibelungen (14 SACDs—selling for up to 5K on Ebay!) was a perfect foil for the Denafrips, Das Rheingold, especially. As the opening musical description of the River Rhine (a never ending low Eb on 4 string basses) continues, the Apollo was able to separate the cellos from distinct timbre of the basses—Wagner changes the orchestral voicing to represent the rise of the Rhienmaidens from the bottom of the river. This is a tough test for any amplifier. Pass.

As for the comparative testing, the Rowland was 10K and my MBL runs $17,600. Both should be a step up in refinement. Examples from Boulder and Dagostino Master Systems, two of the top solid staters in the business, run into the post $50K price range. So, the Apollo matching the more expensive tube Allnic or even approaching the Rowland sound for only $3700 makes it a stonking high end bargain.

https://www.audiophilia.com/reviews/2022/3/11/denafrips-hyperion-amplifier

The Hyperion doesn’t jump out and assert itself in an immediate way. When it does make itself known it does so in a dignified manner. For context, it’s presentation sat right in between the two other amps I had on hand for comparison. Compared to the Cambridge EVO 150, rated at almost double the wattage, the Hyperion sounded similar at low or moderate volume. At higher volumes the Denafrips was a touch warmer in the bass, smoother in the midrange and silkier in the highs. This occasionally came at the expense of some soundstage dimensionality. My Parasound HCA-750A brought plenty of that old school Class A/B grit and liveliness but couldn’t compete with the Hyperion in terms of micro details. This becomes a matter of taste and equipment matching which leads me to thoughts on the speaker pairings I had available.

The soundstaging ability of the Focal Aria K2 936 kept things three dimensional when driven by the Hyperion. The tight bass response also proved a good match. The Aria’s gnarly impedance curve was no sweat for the Hyperion. With my Wharfedale Diamonds I preferred the more balanced Cambridge EVO 150, but this is because the Diamonds are a little loose in the midbass but more importantly, the Hyperion deserves higher-end company. Don’t rely on its sticker price as a benchmark. This is an amp meant to play with big league speakers. Just look for speakers with clean, responsive bass and avoid overly