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” A recording I’ve recently rediscovered is Emmylou Harris’s Wrecking Ball: Deluxe Edition, a collaboration with influential producer, songwriter, and musician Daniel Lanois (16/44.1 FLAC, Nonesuch). This album is every bit as good as Lanois’s work on albums by U2, Robbie Robertson, Peter Gabriel, and Bob Dylan. The transparency of the 4B3 let me hear further into this recording than has any other amp I’ve had in my system — its retrieval of detail was astonishing. Although the amp was remarkably transparent, the sound was perfectly neutral and never harsh. The electric guitar and kick drum in Lanois’s “Where Will I Be” are recorded with reverb that can make them sound a little grungy. ”

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