Kii III loudspeaker and AURALiC – Video
July 3, 2016 Comments Off on Kii III loudspeaker and AURALiC – Video
Paradigm Prestige 2000SW Powered 15-Inch Subwoofer
July 3, 2016 Comments Off on Paradigm Prestige 2000SW Powered 15-Inch Subwoofer
” For those who like to maintain brand consistency, the Prestige 2000SW is a perfect, low-frequency mate to the various standalone speakers in the aforementioned Prestige line. The black piano lacquer finished version sent to me was gorgeous, and is sure to match whatever speakers you mate to it. Overall, Paradigm’s Prestige 2000SW is an awe-inducing, powered subwoofer that can handle the depths of most any movie sound effect, but it is also equally adept at transmitting the proper bass frequencies from your favorite hi-res music. From Rock to Classical to bombastic action flicks, I do not see how you could do any better in the bass department. An Everything Audio Network Stellar Sound Award for the Paradigm Prestige 2000SW.”
fo.Q Modrate HEM-25 Pure Note Insulators Review
July 3, 2016 Comments Off on fo.Q Modrate HEM-25 Pure Note Insulators Review
“The hi-rez files I have, such as Charles Mingus’s The Black Saint and the Sinner Lady (24/96 FLAC, Impulse!), had a special kind of clarity that was tactile, organic, and startling, with more natural timing and a tonal richness without opacity. “The Night Has a Thousand Eyes,” from John Coltrane’s Coltrane’s Sound (24/96 FLAC, Atlantic/Rhino), was presented much more cleanly. Coltrane’s tenor sax was more penetrating; Elvin Jones’s drumming was snappier, his cymbal work more sparkling, his kick drum thunkier and deeper; and, with McCoy Tyner’s piano and Steve Davis’s bass, there were more textural contrasts among all four instruments. It all made for a far richer, more complex listening experience than I’d had before adding the fo.Q footers.”
DITA Review
July 3, 2016 Comments Off on DITA Review
“Operating under the philosophy that the cabinet has the greatest effect on overall sound quality, in order to control unwanted resonances (what they refer to as “box colorations”) the chassis is “meticulously milled and turned on modern multi-axis CNC machines from a solid block of 6061-T6 aluminum.” As to driver technology, they have chosen to use a single dynamic transducer, adopting the principle that the best way to maintain phase coherency and to eliminate crossover distortion is to use a single full range driver. Once again to quote DITA “To fully exploit our ultra rigid chassis, we needed to design a state-of-the-art driver that is ultra-lightweight, ultra-fast and rigid driver. The combination of both lightness and rigidity gives us a smooth and wide bandwidth response curve, along with stunningly quick impulse response.” But DITA doesn’t stop at the chassis and driver, they consider the cable to be a major factor in the sound and have taken great pains in the design and manufacture of their cables down to the use of Van den Hul silver solder and the non-magnetic carbon fiber TRS connector.”
Bowers & Wilkins 804 D3 Floorstanding Speakers Reviewed
July 2, 2016 Comments Off on Bowers & Wilkins 804 D3 Floorstanding Speakers Reviewed
” Comparisons with the Revel Performa3 F206 that I use as a reference speaker showed the few places where the 804 D3 might be faulted. It doesn’t sound quite as open as the F206; the dispersion doesn’t seem quite as broad; then again, few conventional cones’n’domes speakers can match the Performa3 tower speakers in this regard. Yet I heard no cupped-hands coloration with the 804 D3, and the sound was still plenty spacious.”
Interview With Miles Showell Of Abbey road
July 2, 2016 Comments Off on Interview With Miles Showell Of Abbey road
” Miles Showell: Universal own Abbey Road as it was one of the assets they acquired when they bought EMI. I am freelance here but shortly after I started I was able to persuade the management that half-speed mastering was worth the investment. Initial feedback from my early clients was so good that it was the management who approached Universal and said you have a fabulous library of recordings and we have a world expert on half-speed mastering in the team. There is resurgence in vinyl sales and a demand for good quality pressings. Therefore why do we not get together and create the highest quality vinyl records possible by pooling our resources and playing to all of our strengths. Thankfully, Universal thought it was an excellent idea. ”
Playback Designs Sonoma Series: Syrah Server, Merlot DAC, and OpBox
July 2, 2016 Comments Off on Playback Designs Sonoma Series: Syrah Server, Merlot DAC, and OpBox
“The Merlot does not rely on standard chips for digital processing, but utilizes Field-Programmable Gate Arrays (FPGA) programmed with proprietary algorithms developed by Andreas. “The use of the FPGA approach allows a higher precision arithmetic than feasible in standard off-the-shelf components, but also new and unique algorithms that no other manufacturer has.” Another technology used in the Merlot is PDFAS (Playback Designs Frequency Arrival System) a technology developed by Andreas Koch that eliminates the need for conventional PLLs, also known as “Phase Locked Loops” to reduce jitter. Playback Designs claims that their PDFAS, regardless of the source, reduces jitter to a level far lower than what can be achieved with conventional PLL designs.”
Blue Moon Audio Technology LS 3 ultimate speaker system
July 2, 2016 Comments Off on Blue Moon Audio Technology LS 3 ultimate speaker system
” Blue Moon Audio Technology LS 3 ultimate five way speakers implements low order crossovers, two active sealed bass towers, dynamic midbass drivers, midrange drivers, ribbon tweeter tower and one super ribbon tweeter per side. Complete central towers are dipol with adjustable side wings.”
Acoustic Zen, Ypsilon, Verastarr, Aurender, THE Show 2016 – Video
July 2, 2016 Comments Off on Acoustic Zen, Ypsilon, Verastarr, Aurender, THE Show 2016 – Video
Wall Street Journal Reports Apple in Talks to Acquire Jay Z’s Tidal Music Service
July 1, 2016 Comments Off on Wall Street Journal Reports Apple in Talks to Acquire Jay Z’s Tidal Music Service
“Jay Z bought the service in March 2015 for $56 million from Swedish company Aspiro, which had created the brand Tidal. He has given 19 famous artists and bands small stakes in Tidal and promised each millions of dollars worth of marketing, according to people familiar with the matter.”
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