Audiophilepure

https://www.soundandvision.com/content/starke-sound-sw15-subwoofer-review

The opening salvo of Hans Zimmer Live in Prague is a medley consisting of “Driving”, “Discombobulate” and “Zooters Breakout.” Those three set the tone for the rest of this disc. They slowly build to a towering crescendo, beautifully crafted by the 70+ musicians that grace the stage by the end. Inevitably I’m playing this one loud. To put it more accurately, I’m playing this one loud. As the musicians start coming in the sound gets hectic and lively, yet the SW15’s seemingly enjoyed the challenge. The upright bass and electric bass guitars, drums, and tympani are all recorded on the hot side, but not excessively so. They underpin this composition, producing a sound that was rich, warm and inviting.

Forgoing what was fast becoming a trend in this evaluation—live recordings—I opted to close out the music section with a studio track instead, featuring a song from a very long time ago. From Pink Floyd’s seminal album Dark Side of the Moon, I went with “Time.” That pulsating double-beat that occurs at the beginning was lush and striking, despite the other instruments being recorded louder. The plucked strings from the bass guitar rang out with authority, immediately grabbing my attention. At first they have a very Rickenbacker sense to them, with the more trebly tone that bass guitar is known for. When the song kicks into the rhythm itself, it quickly becomes apparent Roger Waters is now using his more customary Fender Precision, with its meaty sound. The Starke Sound SW15 handled all of it with poise.