Audiophilepure

https://www.soundstagehifi.com/index.php/equipment-reviews/1839-rotel-michi-x5-series-2-integrated-amplifier-dac

As someone who has heard his share of integrated amplifiers—I’ve been reviewing components since 2006—I can say unequivocally that Michi’s X5 S2 offers a lot for the money. I wouldn’t have been surprised if I had been told that it cost $15K. There are integrated amplifiers on the market with a larger set of features: room correction, bass management, and network streaming, among others. However, apart from Musical Fidelity’s M8xi (reviewed by Roger Kanno in 2020), which boasts a whopping 550Wpc into 8 ohms and an obscene 870Wpc into 4 ohms, no other integrated amplifier that I am aware of can claim 350Wpc into 8 ohms and 600Wpc into 4 ohms. With its power and premium parts and design, that the Michi X5 S2 sells for $8K has me shaking my head in disbelief. If you’re in the market for a high-powered integrated amplifier with a top-notch DAC and phono stage that rival standalone separates, the Michi X5 S2 is peerless.

Well, enough of the chatter about history and specs and time to discuss the sound of this little system. By my calculations this system would go for right about $21,000 and some change. That gives you a very symbiotic system sans front end. With a budget of $2000-3000 for a entry turntable, cartridge, phono stage, and another $2000 for a good streamer you are around $25-26,000 for a complete system. Twenty eight years ago I did a huge upgrade to my stereo system. I bought my Quicksilver KT88s, Golden Sound Tube Preamp with phono stage, a VPI 19JR upgraded to a MKIII, with a Sumiko Blue Point Evo cartridge, Parasound CD player, and Totem Mani-two speakers, all strung with Kimber Kable throughout. In today’s money that system would be roughly the same as this Von Gaylord system and it was a wonderful system in the day but I began almost immediately upgrading to the point where I am now. 

https://www.enjoythemusic.com/superioraudio/equipment/1123/Bella_Sound_Hanalei_Monoblock_Amplifier_Review.htm

The Bella Sound Hanalei monoblocks’ prodigious amount of power resulted in not only being able to reproduce the album as loud as I desired without a hint of overload distortion but also being able to reproduce the album’s colossal dynamic peaks with zero overload. The Sound Lab electrostatic speakers in my reference system are more than a cut above most electrostatic speakers in that they can play very loudly without breaking up. But they can’t defy the laws of physics, nor are my ears indestructible. I was quick to discover that both the monoblocks and the speakers were able to play louder than I could withstand.

Unlike the Bruckner symphony above, this Opeth album takes the real music recorded in a real space adage in a different direction. The Bella Sound Hanalei monoblocks expertly reproduced this multitrack recording. I would bet my last dollar that I was hearing a version of this album as close to the sound of the master tape as possible. With the Hanalei’s extended frequency response, combined with its marvelous soundstage and imaging prowess, I could put this album on repeat and listen to it all day with no “listener fatigue” setting in until it was very late at night.