Audiophilepure

https://www.theaudiobeat.com/equipment/ch_precision_l1_a15.htm

The L1 and A1.5 are expensive. They might be the entry point as far as CH Precision separates are concerned, but they are still genuinely aspirational components, ones that will likely require some effort and expense to hear in a showroom or system. But they are innately musical in a way that is incredibly hard to find elsewhere. Are they 10 Series beaters? Of course not. To carry the food analogy a step further, the M10 provides a world tour, embracing a seemingly endless procession of equally impressive culinary opportunities. However, the CH Precision A1.5 shares the M10’s DNA and shares its fundamental magic. While you can label the L1 and A1.5 as “entry level” in CH Precision terms, perhaps it’s more accurate to think of the pair as entry-level ultra-high-end audio, marking, as they do, a step up in musical expectation.

K

https://www.hifinews.com/content/dartzeel-nhb-18nsnhb-468-prepower-amplifier

Not that this amplifier combination reserves its talents for simple recordings. With the lush production of Elton John’s latest release, The Lockdown Sessions [EMI/Rocket EMICD 2051], the darTZeel amps’ big, weighty presentation kicked off the album with its throwback references of ‘Cold Heart’, complete with Dua Lipa singing the ‘Rocket Man’ chorus, to grand effect. Then the opening of the cover of The Pet Shop Boys’ ‘It’s A Sin’ sees the amps conveying the delicate quality of Olly Alexander’s voice before Our Reg slams in with full retro-disco pomp, all arpeggio’ing synths, pounding bass and strings.

Meanwhile the duet with Stevie Wonder, ‘Finish Line’, finds those big monoblock amps unleashing their power on the gospel-tinged arrangement, while keeping the distinctive voices front and centre. The production here is decidedly magnificent – not for Elton a few tunes accompanied by solo piano, recorded in a back room – and it sounds fabulous via these flagship amps.

https://www.stereophile.com/content/accustic-arts-amp-v-power-amplifier

Can any single review of audio equipment be definitive, given the differences in listening rooms, equipment configurations, and human sensibility? Perhaps not. Nonetheless, a few things about the AMP V are incontrovertible. It’s not just a powerhouse; it’s a musical instrument that produces bright colors, huge images, and seat-shaking bass. Nor does it skimp on detail. While I didn’t journey into heavy metal during my time with the AMP V—Bromberg, Holst, and Shostakovich on steroids were as close as I got—the AMP V sailed through numerous ultradynamic tracks whose cumulative percussion and brass would leave many a rock fan diving for cover.

The AMP V is one of the finest and most musically satisfying amplifiers ever to enter my audio system. Anyone with a spare $50,000 (and who doesn’t require easy portability) would be foolish not to give it a serious audition.

As with the original Kenzie, the OG Rev 2 is for the audiophile who wants to wring the full potential out of their headphones and simply listen to the best-sounding music available. Listening to music on the Kenzie was so involving that it was difficult to concentrate on the job at hand and pick out the different characteristics of the sound, and even more difficult to stop and change headphones.

Lastly, being the entry-level product for ampsandsound the Kenzie is a fantastic value. If you have a budget of around $3,000 this is the amplifier to buy, if you are a music lover this is the amplifier to buy, if you are a solid-state fan and don’t get what tubes are all about, this is the amplifier to listen to, it will change your mind, just be ready to cough up $2,500 because you will not be satisfied with solid-state afterwards. Thanks, Justin for once again reaffirming my love of tube amps and justifying my love for ampsandsound!