Audiophilepure

https://www.whathifi.com/us/reviews/proac-k1

While no one will see the plinth’s bottom surface once the speakers are on stands, it’s a shame that ProAc didn’t cover the base with veneer or give it some other treatment to make it look smarter. Currently, it looks a little unfinished with the plain wooden panel visible. This feels like cost-cutting that has no place in a product such as this. The way the plinth’s metal front plate is attached looks a little messy from underneath, too. Neither of these things are major issues, but at this price level, such small details matter.

ProAc makes 50cm-tall dedicated stands for the K1 that cost £995 ($1995). They require assembling and are held together by an oddly varied collection of screws and bolts. There are four columns in total for each stand and, thanks to pretty clear instructions, it doesn’t take long to put them together. The silver one in the front is solid aluminium (matching a similar piece on the front of the speaker), while the remaining three (all painted black) are hollow steel tubes. Once assembled, the stands are quite resonant, so a bit of mass-loading with sand or similar would help.

And, most delightfully, the 4349’s woofers don’t lose pitch definition or speed despite their size and weight. But as good as the bass is, it is NOT their best feature – that would be the midrange and treble! JBL’s horns put out a dynamic, clear, open, and extended midrange and treble. Again, I was highly skeptical about the 38mm horn driver – surely it couldn’t have the high-end sparkle and extension of a smaller driver of lighter mass? But from the first listen, the squinched-up-looking horn and its driver just astounded me. Not only did it disappear as being a discreet sound source, but the dispersion provided a holographic-sounding image with more clarity than I’d heard in my room before.