EgglestonWorks • Emma EVOlution Loudspeakers $5495 Review

August 18, 2019 Comments Off on EgglestonWorks • Emma EVOlution Loudspeakers $5495 Review

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“And so it went — with each recording, the Emma EVOlution loudspeakers either brought me to where the music was made or brought the music to my listening room. They built upon the strengths of the earlier Emma SEs and brought a new, higher level of performance and enjoyment to each listening session. And, with sincere apologies to Gertrude Stein, I heard more there, there. If I could find any fault at all with these speakers, it was that listening to music of whatever genre through them, from any source, proved so compelling and fun that I often put aside my notepad and gave way to the listening experience, playing each selection from beginning to end. With each listen, and almost without exception, as soon as the music began, I became immersed in the event and looked forward to the next. Regrettably, this recurring phenomenon led to unplanned delays in the reviewing process. Their ability to handle anything thrown at them at (even if you insist) unhealthy volume levels, coupled with the estimable quality of conveying music’s emotional essence without sacrificing its musicianship, put the Emma EVOlutions in an enviable position. Whereas the Emma SEs caressed my ears with sound beyond reproach, the EVOs grabbed me by the neck and shouted “Listen.” With the EVOs the aural experience was like walking through an open door onto the performance. They can be forceful and in-your-face when the music demands it (just like some live music) or gentle and calming (just like some live music). Their honest persona, coupled with note-grabbing authority and sense of “rightness” may not appeal to everyone, but it checked all the boxes and rang my bells. I simply heard more of the music with more clarity and dynamics than I had before. And oh, my — that bass!

FINAL B SERIES REVIEW

August 18, 2019 Comments Off on FINAL B SERIES REVIEW

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There is good synergy between the dynamic driver and balanced armatures on B1. I sometimes find peaky hybrids IEMs with slow bass decay and I am not a fan with that kind of tuning philosophy having bass bleeding into the vocal and muffling up the sound. When speed and phase between speakers don’t keep up the imaging is always distorted resulting in veiled. hollow sound.

The B1 is carefully engineered. The hybrid design works like a seasoned band and you will find good articulation which may convince you are not a hybrid fan. When driven well you will enjoy a grand, precise presentation that works great for chamber music and operas, also relaxing jazz music especially saxophone solos.”

How to audition multiple products from a dealer

August 18, 2019 Comments Off on How to audition multiple products from a dealer

NAD M10 Streaming Amplifier Review

August 17, 2019 Comments Off on NAD M10 Streaming Amplifier Review

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“Whatever, the M10 chugs it out with excellent clarity, as one might hope from a musical all-rounder, and when one switches to something rather more focused, such as the carefully crafted pop of B A Robertson on his 1981 Bully For You album [Cherry Red CDMRED 679], the ability of the player/amp to dig deep into the mix of a track like ‘In The Bar At The Munich Hilton’ – we were still all a bit Cold War back then! – is consistently informative. Mind you, just as enjoyable is the exuberance with which it plays ‘Hey Presto’, probably the only musical tribute to Tommy Cooper and Paul Daniels in one song.

From the same era, The Alan Parsons Project’s concept album The Turn Of A Friendly Card [Sony BMG 82876815262], with its pounding rhythms and swirling synths and strings, pushes the M10 almost as hard as did the Saint-Saëns, with the title suite building from gentle piano and woodwind through to the full-on rock opera treatment of the final movement. The NAD M10 is entirely in control here, as one might hope, even able to blast out the music at old-school prog levels if required.”

Andrew Jones designed ELAC active Navis speaker

August 17, 2019 Comments Off on Andrew Jones designed ELAC active Navis speaker

Diana v2 & Diana Phi by ABYSS Headphones

August 17, 2019 Comments Off on Diana v2 & Diana Phi by ABYSS Headphones

HIFIMAN TWS600 True Wireless Earphone Review

August 16, 2019 Comments Off on HIFIMAN TWS600 True Wireless Earphone Review

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So what’s the cost of getting rid of that connecting cable? Well, there are a few. First, are the available codecs. Many will only support SBC and AAC. Some support AptX HD, but none I know of support LDAC. Not even Sony’s own WF-1000XM3. This is due to bandwidth limitations. Typically, the signal is sent to one of the earbuds and that earbud will have to spend bandwidth to connect to the other.

The other tradeoff is having to carry a charging capsule or case around. They could be bulky inside the pockets or become inconvenient at a gym (nowhere to put them). There is just something to be said about just having a pair of Bluetooth earphones wrapped around your neck. You don’t have to deal with the case or the individual buds. They just “hang” there. The Jaybird earphones are an example of this.”

MartinLogan Classic ESL 9 Speakers Review

August 16, 2019 Comments Off on MartinLogan Classic ESL 9 Speakers Review

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The Classic ESL 9 is not a perfect speaker but for a realistic, transparent listening experience with a truly expansive soundstage, you would be hard pressed to find a substitute at its price. And with a decent subwoofer or two for support, you will not be missing anything in terms of bass output even for the most demanding home theater applications. For anyone who understands the general character of an electrostatic speaker and gravitates toward that sound, the Classic ESL 9 is a must audition. To put my money where my mouth is, I bought my review pair.”

Cocktail Audio HA500H MQA DAC, pre-amp and HP ampc Review

August 16, 2019 Comments Off on Cocktail Audio HA500H MQA DAC, pre-amp and HP ampc Review

CAYIN N6II REVIEW

August 15, 2019 Comments Off on CAYIN N6II REVIEW

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“The phrase that keeps sticking in my head is “an everyman sound with dollops of detail”. Make sense? It does if you enjoy a wide range of genres and it most certainly applies if you err towards the slightly smoother, euphonic or even-harmonic tone in playback. If you enjoy the wetter side of things, hate the dry, the splashy or the analytical then the A01 motherboard will appeal.

But before you lie back and dream of colorful lush overtones, let me shake you from that potential aural meme by telling you that the A01’s dynamic range performance is strong. The amplification stage in the N6ii’s motherboard is an excellent performer and produces enough power and clarity to dispel any notion that the N6ii/A01 combo is a leisurely romantic stroll. It is forgiving with a ‘bit of soul’ but not without some excellent levels of detail.”