Artisan Fidelity Garrard 301 Statement $19,995 Review
June 24, 2019 Comments Off on Artisan Fidelity Garrard 301 Statement $19,995 Review
“As one who rarely turns fanboy on products, the AFG is a rare piece of gear that at the end of the review has me losing my ability to remain objective. If you genuinely love analog, you should experience one, whether you write the check or not. However, I suspect if you value the qualities I’ve mentioned here, you will have a very tough time not falling victim to its spell. This one has been here for the better part of a year now, and I pinch myself every time I use it.”
BAT REX DAC $19,900 REVIEW
June 24, 2019 Comments Off on BAT REX DAC $19,900 REVIEW
“Getting it to work with the Sony HAP-Z1ES HDD audio player was as simple as running a USB cable between the two units. With the Windows-based PC running jRiver Media centre, all you have to do is to download and install the drivers from the BAT website and select the relevant option on the media-playing software. For Mac users, it’s simply plug-and-play, of course.
As expected with a complement of six tubes, the REX does run hot, so ensure that it has sufficient ventilation; an air-conditioned room will also add to your personal comfort.
With all that in place, the only thing left to do is to let the music play and immerse yourself in the REX DAC’s marvellous sonics.
And simply glorious it is. It’s not about analysing in detail each and every aspect of its performance, it is the gestalt, the sum of its parts, the ability to draw you into the sonic landscape it paints that beguiles and keeps you listening hour after hour.
Acapella Audio Arts: The $650K Sphaeron Excalibur loudspeakers
June 24, 2019 Comments Off on Acapella Audio Arts: The $650K Sphaeron Excalibur loudspeakers
PS Audio DirectStream Power Plant P20 Mains Generator Review
June 23, 2019 Comments Off on PS Audio DirectStream Power Plant P20 Mains Generator Review
“When I say that mains regenerators are no panacea it isn’t just because they can’t, at a sweep of the hand, make a bad system good – there’s no magic bullet that can. Rather, it reflects my repeated experience that low-consumption items like DACs and headphone amplifiers almost always benefit from a squeaky clean mains supply, whereas power amplifiers can be more finicky. None more so than Naim power amps, I’ve found, perhaps because Naim traditionally devotes so much attention to its power supplies.
SONY IER-Z1R $2,000 REVIEW
June 23, 2019 Comments Off on SONY IER-Z1R $2,000 REVIEW
“While there is top-notch clarity and a fairly transparent midrange, its lower registers lack the presence which in turn takes away just a little of body and weight on snares and other percussions. Nonetheless, the midrange of Z1R remains transparent and open-sounding while providing a good level of attack.
The focus on the upper midrange of the Z1R is more prominent when I took it for a spin on Alice in Chains’ track “Brother” from their MTV Unplugged album. The track portrays a well-layered vocal presentation from both Layne Staley and Jerry Cantrell. While Z1R is able to achieve superb separation on the vocals, the upper midrange spike provides more clarity and presence on Staley’s high-pitched voice compared to the low-pitched voice of Cantrell which is pushed back just little bit.
Listening to the acoustic guitars from the same track, high notes on the chords are more highlighted but the low-pitched strings still manage to maintain satisfactory weight and body even with the slight lower-midrange roll off.”
Cowon Plenue D2 Review
June 21, 2019 Comments Off on Cowon Plenue D2 Review
“Previously, sensitive earphones were real buggers to pair with the D. They hissed. Really sensitive ones might even render audible screen interface calls. The D2 so shields all that from the signal that all is black and quiet. Yes, that includes earphones like Shure’s SE846, which hiss even when plugged into the vacuum of space.
All is not perfect, though. Under extreme load at max volume, jitter jumps way up over unloaded targets, and otherwise pristine signals suck to extreme separation at 2k and 5k with a small mountain of minor joined stereo between them. Can you hear this? I doubt it. Will you be listening to similar loads (Earsonics SM2) at such volumes? No. But when pushed beyond reason, the D2’s output fails there.”
T+A elektroakustik Talis S 300 Loudspeaker Review $13,900
June 21, 2019 Comments Off on T+A elektroakustik Talis S 300 Loudspeaker Review $13,900
“I do want to emphasize that the qualities described above were not evident when the S 300s were freshly unpacked—they needed 150–200 hours of playing music to come into their own. Before that, the speakers were quite “accurate” with loads of detail, yet provided only a very ordinary listening experience. With time, the preternatural clarity remained, joined by an organic ease and naturalness surely related to the tonal verisimilitude noted above. Loudspeakers under $20,000 are the class of products I cover at shows, and I’ve not heard ones better than the S 300s. Sonically, they hold their own with competing models from Wilson and Magico that cost thousands more, despite having to cross an ocean to get here, and the T+As will likely get higher marks for appearance than products from those other two fine manufacturers. Most importantly, the Talis S 300 can make you forget that you are listening to a recording. And that’s what it’s all about, right?”
FiiO FH7 Hybrid IEMs Z Review Video
June 21, 2019 Comments Off on FiiO FH7 Hybrid IEMs Z Review Video
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