ABYSS AB-1266 PHI CC HEADPHONES $4995 REVIEW
November 2, 2018 Comments Off on ABYSS AB-1266 PHI CC HEADPHONES $4995 REVIEW
“Next up I selected a more bass intensive recording. As I’ve always felt that the Abyss headphones have offered some of the very best bass quality and impact I’ve heard from a pair of headphones, I wanted to specifically see just how the new ear-pads affected this already impressive performance. “Lateralus” by the progressive metal band Tool was my choice to perform this specific comparison. As soon as the rumble kicked in from “The Patient” I could tell that the bass had changed slightly; but definitely for the better. The same depth and rumble was certainly present, but what I was able to discern was that some of the bloom with the original ear-pads was tightened up and made a bit more concise. Overall, as fantastic as the bass is with the original configuration, I found that the presentation now had among the tightest and most detailed bass there is in personal audio. To hear this level of depth, detail and texturing, I used to think you’d have to spend tens of thousands of dollars on a full two-channel stereo setup. Simply put, when you incorporate their expansive sound-staging, these headphones offer the closest speaker-like presentation I’ve heard in personal audio and the new ear-pads help the Abyss AB-1266 Phi / Phi CC headphones achieve a level that I didn’t think was possible.
SVS SB-4000 subwoofer Review
November 2, 2018 Comments Off on SVS SB-4000 subwoofer Review
“Even used with comparatively tiny satellite speakers and a high crossover, bass integration is excellent, although I did find I got better results using a line-level input from my Yamaha AVR (bypassing its onboard processing), than via the LFE feed. My only real criticism of the way the SB-4000 behaves is a slightly odd one. This is a superbly controlled subwoofer, aided by some clever DSP, but there are times when I’d love to be able to make it a little more boisterous. Compared to the GoldenEar SuperSub XXL, which can be persuaded into great hulking slabs of unnecessary low-end if you ask it nicely, the SVS stays absolutely controlled. I’d almost like there to be a ‘Ludicrous’ setting in the SVS Bluetooth app (to join the Music and Movie presets), which I could select when I wanted to behave like a five-year-old.”
Wharfedale D320 Review
November 2, 2018 Comments Off on Wharfedale D320 Review
“We listen to a range of music from Miles Davis’s Kind Of Blue to Eminem’s Recovery and the Wharfedales take it all in their stride. They don’t favour one genre over another, and have enough in the way of attack, tonal balance and smoothness to keep us listening. Their stereo imaging is decently expansive and stable enough to pinpoint the position of instruments, while bass, always limited in small speakers such as this, is pleasingly weighty.”
iFi Pro iDSD $2,499 Review
November 1, 2018 Comments Off on iFi Pro iDSD $2,499 Review
“I think iFi have a real hit on their hands. The Pro iDSD appeals to many distinct audio constituencies. To owners of an entry-level DAC, the Pro iDSD is a formidable upgrade, both in features and sound quality. To owners of a mid-price DAC, the Pro iDSD combined with a high-quality PSU like the JS-2 would be a compelling upgrade. To tinkerers and tweakers like me, who already have high-quality PSUs and a reference clock, the Pro iDSD provides an extremely economical way to achieve a level of sound quality associated with $5k+ DACs.”
VPI Launches $15,000 HW-40 Direct Drive Turntable At 40th Anniversary “Open House”
November 1, 2018 Comments Off on VPI Launches $15,000 HW-40 Direct Drive Turntable At 40th Anniversary “Open House”
IBASSO DX120 REVIEW
November 1, 2018 Comments Off on IBASSO DX120 REVIEW
For the first time since the iBasso DX50, the brand chose to use one DAC only. It’s the “former flagship DAC AK4495” released in 2015 by Asahi Kasei a very potent DAC capable of decoding 32bit files as well as DSD files, if the processor allows it.It’s a full symmetrical stereo DAC from the Verita series, the one bragging velvet sound every time. Quoted from AK website :
“Five digital filters are integrated into the AK4495(…) and a newly integrated super slow roll-off filter having emphasized characteristics, providing a wide range of choice in digital filters.”To summarize, even up to this day, it’s a very good DAC with a 105dB THD on paper and 111dB THD with the DX120, thanks to an additional 7V supply.”
ASTELL&KERN SR15 $700 REVIEW
October 31, 2018 Comments Off on ASTELL&KERN SR15 $700 REVIEW
“As mentioned before, Astell&Kern has two outputs. I have mostly been using the 2.5 mm balanced one, as most of my cables are terminated to that plug. I will go over the differences between balanced and unbalanced later. One thing up front though. I know people say balanced makes no difference. While I agree that there is no general rule for that, I say, it is all about the implementation. The circuit matters. I know balanced outputs that outperform the single ended one, and I also know single ended one’s that sound better than their symmetrical counterpart. It’s all about the components used and how well they act with each other.”
ELAC MIRACORD 70 TURNTABLE $2000 REVIEW
October 31, 2018 Comments Off on ELAC MIRACORD 70 TURNTABLE $2000 REVIEW
“This music pushed the limits of the Miracord’s supplied Audio-Technica budget cartridge. It complained. I started to hear some treble, and upper mid band coarseness as the stylus struggled to decipher a moveable feast of grating static-filled guitar riffs, tolling bells, high-pitched bird sounds, softly spoken voices and violin riffs that range from the pastoral to those that are pure torture.Replacing the Audio-Technica with an Ortofon 2M Bronze banished the upper-frequency brittleness. A cartridge switch proving the Miracord 70 has a natural upgrade path.”
Audiophilepure 
You must be logged in to post a comment.