FIIO ΜBTR REVIEW
September 17, 2018 Comments Off on FIIO ΜBTR REVIEW
“Even stereo image, which almost everyone seems to screw up is good. It’s not got the most nuanced rendering of stereo texture, but it sure as hell nails details. There’s no frequency that stuffs up even under load. In fact, it may be the best-testing device I’ve ever had on the bench- again, as it comes to loaded/unloaded ratio testing. But even with that proviso in place, it handles load so damn well I wonder if it’s magic. Jitter is mild to invalid. And by and large, no harmonic or phase artifact jumps testably under load. ”
Parasound Halo JC 5 Stereo Amplifier Review
September 16, 2018 Comments Off on Parasound Halo JC 5 Stereo Amplifier Review
“Spatial resolution is one of the JC 5’s greatest strengths. Its ability to provide a pristinely focused center image could be easily heard in both Linda Rondstadt’s Blue Bayou and Diana Panton’s A Little Girl A Little Boy A Little Moon. There’s no guessing how the recordings were mixed and laid out. There’s plenty of refined air and aural layering that encompasses the shape and texture of the instruments. The strums and plucks of guitar and bass notes are elegantly played with tangible weight and accurate decay. It’s also capable of delineating fine lines of strings and leading edges of rapid piano notes with confidence and speed.
BOWERS & WILKINS PX WIRELESS NOISE CANCELLING HEADPHONE REVIEW
September 16, 2018 Comments Off on BOWERS & WILKINS PX WIRELESS NOISE CANCELLING HEADPHONE REVIEW
“Of the three wireless noise cancelling headphones that I introduced in my “First Look” video, the Bowers & Wilkins PX stand out the most to me. Not because of some overwhelming superiority over the other two (they are all very capable, high performance headphones), but it’s because of what they do differently that makes them so memorable. From the quality design and build that make them feel immediately special to hold, to the high comfort and spacious, balanced sound character that make them addictive to listen to, the Bowers & Wilkins PX demand attention and earn respect. If you want gobs of bass from your headphones, don’t bother with these”
Focal Kanta No. 2 Loudspeaker Review
September 15, 2018 Comments Off on Focal Kanta No. 2 Loudspeaker Review
“If price is your main consideration–and it certainly is for most people–there are plenty of options available at roughly the $10,000 level. An equally important consideration, though, is size. A smaller speaker is much easier to integrate into a room, and if it can perform at the level of the Kanta No. 2, you will score some bonus points with your significant other. I would contend that most audio enthusiasts are guilty of believing that more is better. Go big or go home is the typical thought process. I would caution to choose speakers for the room size, not based on your insecurities: Bigger is not always better and is more often a problem when considering the speaker to room proportion ratio. Having lived with the Kanta for a few months, I began to appreciate the total package: a huge and high-resolution soundstage with manageable dimensions.”
COMPUTER AUDIO DESIGN GC1 GROUND CONTROL REVIEW
September 15, 2018 Comments Off on COMPUTER AUDIO DESIGN GC1 GROUND CONTROL REVIEW
“I’m often quizzed about the usefulness and impact of the high-end audio accessories. There’s no general-right respond to these queries. These add-on devices are ordinarily the last to be introduced to a thoroughly fine-tuned audio system. Not always, but in most instances, the benefits will be marked in an already established and balanced setup. The alternative way around would put in the preference making all right from the beginning. This approach is perhaps a painfully more complex and nonetheless more costly, but for some purists, this is the only legitimate way of matching the assembly of the high-end audio components into a balanced system.”
Dynaudio Contour 20 review
September 14, 2018 Comments Off on Dynaudio Contour 20 review
“Things are good tonally. The Contours have a smooth, refined balance that avoids emphasising the harshness in aggressive recordings. Bass is rich but remains articulate, and is surprisingly extended for a speaker of this size. With eyes closed, it would be easy to imagine the sound coming from the 20s to be that from decently sized floorstanders.”
ANALOGUE HEAVEN AT ANALOGMAGIK HEADQUARTERS
September 14, 2018 Comments Off on ANALOGUE HEAVEN AT ANALOGMAGIK HEADQUARTERS
LUMIN X-1 AUDIOPHILE NETWORK STREAMER REVIEW
September 14, 2018 Comments Off on LUMIN X-1 AUDIOPHILE NETWORK STREAMER REVIEW
“UMIN X1 is a straightforward contemporary digital high-end audio apparatus. It can be obtained in the black or silver finish. The review sample as you’ve most probably already identified on the photographs arrived in a very nice Batman’s’ black tint. I like the modern, stealth look of the dark LUMIN X-1. When in action, the small monochrome blue display will indicate the song info and a circle marks the duration of the song. This ring can be tracked even from a few meters away. ”
Simaudio Moon 888 Mono Amplifiers $118,888 Review
September 13, 2018 Comments Off on Simaudio Moon 888 Mono Amplifiers $118,888 Review
“In wrapping up, Aron called Simaudio’s big, heavy, expensive Moon 888 “a new musical masterpiece.” With that kind of endorsement, and with these amplifiers having allowed him to hear from his reference system the best sound he’s ever heard, the Moon 888 received a Reviewers’ Choice award in the review. And now we’re happy to make the Moon 888 the newest addition to our list of Recommended Reference Components.
Pro-Ject Pre Box S2 Digital Headphone Amp/DAC Review
September 13, 2018 Comments Off on Pro-Ject Pre Box S2 Digital Headphone Amp/DAC Review
“I hadn’t expected much from the Sennheiser: it has a reticent top end of its own and I’d expected that the combination with the Pre Box would be overkill. Instead, their mutual smoothness in the presence region let me push the volume up enough to compensate for the Sennheiser’s modest bass, making the sound bigger and beefier than it normally would be in everything from symphonic staples like Beethoven’s Fifth (Carlos Kleiber, Vienna Philharmonic, 24/88.2 FLAC) to rock stompers like Led Zeppelin’s “Black Dog” (24/92 FLAC). Images, though not strongly outlined, were generously scaled, beautifully fleshed out, and darkly colorful, giving extra intensity to lushly arranged tracks like Nick Drake’s “Riverman” and “Hazy Jane II” (24/96 FLAC).
Audiophilepure 
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