Paradigm Persona B Loudspeakers $7000 – Review

December 10, 2017 Comments Off on Paradigm Persona B Loudspeakers $7000 – Review

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“Electrostatic speakers in general and MartinLogan speakers in particular are known for their incredible midrange clarity. The Classic ESL 9 exhibited amazing transparency with Pidgeon’s overdubbed voice in “Spanish Harlem,” but sounded a little more crisp and ever so slightly less smooth and effortless than the Persona B. Both pairs of speakers produced very large soundstages with exceptional image specificity, but the Paradigm was better able to reproduce tiny changes in the placement and sound of the shaker in this track. With the ESL 9s I could easily sense changes in the speed with which the shaker was shaken, but it sounded slightly recessed in comparison. With the Persona B, not only could I hear the changes in speed, I could also more clearly make out the shaker’s position on the soundstage. I was even able to hear minute changes in the shaker’s pitch as its distance from and orientation toward the recording mike changed slightly each time it was shaken. I couldn’t do this with the ESL 9s. For its price, the MartinLogan Masterpiece Classic ESL 9 is an amazing, nearly full-range loudspeaker — but it couldn’t match the Persona B’s precise, ultrasmooth, grain-free sound through the midrange and up through the highs, or its seemingly infinite resolution.”

WESTONE UM1 REVISED EDITION $100 REVIEW

December 10, 2017 Comments Off on WESTONE UM1 REVISED EDITION $100 REVIEW

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“However, the warm tilt is very consequent, making it easy for the brain to adjust, so I can’t say that it works better for male or female vocals. It is a coloration that can easily be compensated and among the warmth, there are no apparent peaks that add further distortion to timbre. Vocals stand freely and well-contrasted.”

Dolby Atmos 4K Home Theater Tour

December 10, 2017 Comments Off on Dolby Atmos 4K Home Theater Tour

HiFiMan Susvara Review

December 9, 2017 Comments Off on HiFiMan Susvara Review

RIVIERA AUDIO LABS AFM-50 POWER AMPLIFIER 32.000 EUR REVIEW

December 9, 2017 Comments Off on RIVIERA AUDIO LABS AFM-50 POWER AMPLIFIER 32.000 EUR REVIEW

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“I’m sure, that by now, you really had quite an insight into the Luca’s and Riviera Audio Labs mind set. While they’re avidly following the technical aspect of the design, unlike many on the market, they’re willingly taking the very different and bold steps needed to enter the “uncharted” territories. Well, not exactly completely unexplored. Vladimir Lamm is certainly most prominent one, that had publicly declared the implementation of the pyshoacoustic model of the human ear in his designed. The other prominent name that pops up is the legendary FM Acoustics, that also supposedly uses something very unique within their own propriety circuits.

Timelapse Home Cinema Room Transformation

December 9, 2017 Comments Off on Timelapse Home Cinema Room Transformation

VAC, Von Schweikert Refernce – Video

December 8, 2017 Comments Off on VAC, Von Schweikert Refernce – Video

REL No.25 premium subwoofer Review

December 8, 2017 Comments Off on REL No.25 premium subwoofer Review

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“I only really have one negative comment about the No.25, beyond the typical ‘it’s big and it’s heavy,’ and that’s that the front-facing LED display causes a faint whine through the driver. Apparently the company wanted white LEDs rather than a more garish blue, and this is an unavoidable side-effect of the display unit specified. The display only comes on when an adjustment is being made and switches off after a few seconds, so it’s not a big issue but it is a bit ‘odd’ at this price.”

Pass Laboratories XA60.8 monoblock power amplifier $13,500 Review

December 8, 2017 Comments Off on Pass Laboratories XA60.8 monoblock power amplifier $13,500 Review

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“During his auditioning of the XA60.5s, JA listened to a high-resolution recording of Mahler’s Symphony 2, “Resurrection,” with Benjamin Zander conducting the Philharmonia Orchestra and Chorus (24-bit/192kHz ALAC files, Linn CKD 452). It was, he noted, “recorded by the team responsible for some of Telarc’s great-sounding orchestral recordings, including Elaine Martone as co-producer and Robert Friedrich of Five/Four Productions.” He went on, “The ‘Resurrection’ is an enormous, episodic work with huge orchestral climaxes contrasted against chamber-scaled sections in which a single solo instrument, a violin or a woodwind, takes the lead. Despite their modest power rating, the XA60.5s had no problem coping with the work’s huge dynamic range.” In my room, with this system and the XA60.8 monoblocks, the orchestra was huge, even as voices and solo instruments were reproduced with impact, sweetness, body, and texture. There was no hint of hardness.”

Audiophilia’s Recordings of the Year 2017

December 7, 2017 Comments Off on Audiophilia’s Recordings of the Year 2017

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“Available at most online sites. Reviews have to be published in Audiophilia during 2017 and the recording released internationally in 2017. ”