Audiophilepure

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” In direct contradiction to my above statement, I began to wonder if the amp had a certain affinity for soundstaging. Tracks with generous hall sound (or high-grade studio reverb), and tracks with unusually wide stereo imaging, seemed just a shade more alive, distinctly wider, and even a bit “taller” than I remembered. A track I’ve heard countless times, Diana Krall’s version of “Frim Fram Sauce,” ballooned its gorgeously recorded vocal’s natural reverb above, behind, and around the piano in convincing fashion, but it kept unblurred the punchy pianoness of the occasional sharp accents from Krall’s fingers. With my worldview shaken, I tried to compare, but the process of switching source inputs and speaker outputs is laborious enough to make such comparisons inconclusive at best. Suffice it to say that the Elac not once suffered from the contrast.”