Creek Evolution 100A integrated amplifier $2195 Review
July 20, 2015 Comments Off on Creek Evolution 100A integrated amplifier $2195 Review
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” While the Creek Evolution 100A didn’t elevate my perceptions of the music to magicke level with every pair of speakers or headphones I tried, it always did everything that I need an integrated amp to do. It consistently reproduced the recordings I love in a straightforward, exciting, satisfying way that made their invention and humanity easily accessible.
Sony Walkman NW-ZX2 Music Player Review
July 20, 2015 Comments Off on Sony Walkman NW-ZX2 Music Player Review
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” More Headphones Switching to the Sennheiser HD600 headphones produced similar, if not identical, results. The Pink Floyd track lost its unseemly crunch, flowed better, and could be played louder. There was a more lossy-metallic edge in Frishberg, even better hall reverb in The Nice, more hi-hat in Marley, and a less tactile feel to the drums in Brubeck. Overall the experience was equally as pleasurable.”
THE COMPLETE GUIDE TO LOUDSPEAKERS
July 20, 2015 Comments Off on THE COMPLETE GUIDE TO LOUDSPEAKERS
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“The sheer difficulty of the job that a loudspeaker has to do has led to a diverse array of solutions. The first loudspeakers were simple horns, which still have a following today because nothing else can deliver dynamics and speed in quite the same way. Next came the infinite baffle with a conical driver, the simplest and least expensive solution, and the one which ultimately has proved most enduring.”
SVS Prime Towers $1,000 Review
July 19, 2015 Comments Off on SVS Prime Towers $1,000 Review
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“Beyond just a flat frequency response, a two channel system also has to deliver sufficiently low distortion and coherency to produce a great stereo image. The SVS prime does a great job at conveying space in a recording of instruments that have space around them. These instruments can be heard placed within the sound stage”
ADVANCE ACOUSTICS WERKES W500 CIEM REVIEW
July 19, 2015 Comments Off on ADVANCE ACOUSTICS WERKES W500 CIEM REVIEW
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” Overall, the W500 excels at reproducing well-recorded music, but anything recorded less than optimally can sound a little weird. With well recorded material, the W500 sounds absolutely amazing, handily besting any other earphone I have heard in terms of bass quality, detail retrieval and staging.”
Amphion Argon 1 Speaker Review
July 19, 2015 Comments Off on Amphion Argon 1 Speaker Review
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” It’s the details that you notice when you’ve owned them for a little while that makes you realise there has genuinely been some time taken to make sure these are made properly. The waveguide is inserted beautifully and completely evenly all the way round with no sign of any glue or other adhesive around the edge. The speaker terminals at the back of the unit are also pretty solid and really are all you need for quick, easy connection.”
PASS LABS X250.8 AMPLIFIER REVIEW
July 19, 2015 Comments Off on PASS LABS X250.8 AMPLIFIER REVIEW
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” The same can be said for imaging and soundstage representation, with both amps giving a really nice sense of three dimensionality with performers floating free of the speaker boxes with plenty of space around them. Differences were apparent, but not what I would call detrimental to either amp. At this level, it really comes down to good system matching and personal preferences.”
Fidue A73 In Ear Headphones Review -Video
July 19, 2015 Comments Off on Fidue A73 In Ear Headphones Review -Video
AVANTGARDE ACOUSTICS TRIO/BASSHORN LOUDSPEAKER SYSTEM $90.000 REVIEW
July 18, 2015 Comments Off on AVANTGARDE ACOUSTICS TRIO/BASSHORN LOUDSPEAKER SYSTEM $90.000 REVIEW
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‘ Avantgarde’s Basshorns differ from the other legs of the Trio by not employing spherical horns attached to cone drivers; instead their twin, 12-inch, paper-cone woofers (with neodymium magnets) fire into a mix of exponential and spherical curves, 55 inches (four-and-a-half feet) in length and approximately one square meter (about nine square feet) in diameter per module. Their stacking structure produces a cylindrical wavefront with calculated low-frequency cutoffs of 55Hz for two Basshorns (which have a collective mouth area of about thirteen square feet), 38Hz for four Basshorns (which have a collective mouth area of 36 square feet), and 24Hz for six Basshorns (which have a collective mouth area of 54 square feet). ”
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