Audiophilepure

I’m not trying to be all Rod McKuen here, but this will give you an idea of what I heard with the Aavik U-280 and that huge assortment of products from Audio Group Denmark. I knew I was listening to a very low noise floor–I feel like I’ve had a lot of practice identifying low noise floors after spending the last couple of years investigating high-end audio grounding gear. I did learn, for example, that low noise floors have very little to do with putting your ear up to the woofer cone and trying to hear some sort of electronic presence. It’s more of the same philosophy about lowering the noise floor so that more music comes through. It comes across as lower distortion and razor-sharp transient images. It’s funny that in 2022, a lot of audio manufacturers are starting to talk about these same approaches in their ads and seminars and exhibition rooms. Audio Group Denmark is at the vanguard, it seems, and not the fringe.

Still, I was tempted. I was all set to cue an LP when suddenly I noticed that my ear was fairly close to the woofer of the Børresen Z1 Cryo and I thought well, I’m right here. Let’s see what happens with this Aavik U-280 and all the other stuff in the system

https://www.hifinews.com/content/auralic-altair-g11-network-attached-dac

Listening further, it became clear these two filter options represent the extremes of what’s on offer. On the other hand, both ‘Dynamic’ and ‘Balance’ take a less outspoken approach, with the last of those two lacking a bit of liveliness when heard in my particular set-up. However, regardless of the filter selected, these sonatas by Bach are rendered engagingly with just the right amount of warmth and depth, giving you enough insight to focus on the nuances brought by each stringed instrument of the quartet.

Ultimately, the sonic character of the Altair G1.1 can be described by the same ‘do it all’ terminology as its functional description. This is a streamer/DAC that covers all bases and does so with panache.