Audiophilepure

https://www.hifinews.com/content/lumin-t3-music-serverdac

The T3’s pristine playback also has you looking at old tracks in a new light. I thought I’d heard it all from Bon Jovi’s rock ballad ‘Wanted Dead Or Alive’ [Slippery When Wet; Island Mercury, 96kHz/24-bit], knowing every beat, lyric, and artificial harmonic in Richie Sambora’s guitar solo off by heart. Through Lumin’s T3, however, the song took on a more polished, more detailed quality than I recall. Keyboards sounded fuller, percussion crisper, guitar riffs more cutting. Follow-up track ‘Raise Your Hands’ is more up-tempo and chaotic, and the player seemed to shepherd its various elements with precision while unleashing all the energy in the rhythm section and Jon Bon Jovi’s vocal yelps.

It’s an open sound, even with these dense pieces, but not to the point where the overriding feel or vibe becomes lost. So Ted Nugent’s ‘Stranglehold’ [Ted Nugent; Epic, 96kHz/24-bit] sounded as woozy and improvisational as ever, the guitar solo flourishing above the effects-heavy bassline, while the textural juxtaposition between David Bowie’s smooth vocals and Freddie Mercury’s snarls on Queen’s ‘Under Pressure’ [Hot Space; Virgin/EMI, 44.1kHz/16-bit] ensured the song still raised goosebumps, 41 years on