iFi Go Blu vs Fiio BTR5 vs Qudelix 5K vs Radsone ES100
December 30, 2021 Comments Off on iFi Go Blu vs Fiio BTR5 vs Qudelix 5K vs Radsone ES100
MEZE AUDIO LIRIC REVIEW
December 28, 2021 Comments Off on MEZE AUDIO LIRIC REVIEW
Switching to the Elite from the Liric is a bigger shock. The Elite is the more neutral, fast and energetic brother of the Empyrean and as such the difference with the Liric is quite big. The Elite here is far more neutral and precise with a much higher level of technicalities. It has a much lower amount of bass, and lighter body overall. The Elite sounds wider as well and logically more open. The Liric is softer in delivery and that’s mostly audible in the mids, vocals and lower treble. Bass in the Liric has better sub rumble but both reach down very low. Vocals in the Elite are also more to the front like in the Liric, but they are thicker in the open back Elite. The Elite has a higher level of refinement and the micro details and note extension is better. Same goes for the clarity. As you can see the difference between the Elite and the Liric are more important than with the Empyrean, but hats only normal.
D’Agostino Master Audio Systems Progression M550
December 28, 2021 Comments Off on D’Agostino Master Audio Systems Progression M550
Audiophiles tend to fall into either the measurements camp or the listening camp. Not unlike politics, the debates that ensue get downright contentious. Personally, I’ve never felt the urge to define myself in this way. I like more data, not less, and therefore, when I’m compiling info to base a buying decision on, I prefer to consider my own listening tests in conjunction with a set of comprehensive measurements. Where the positive results from both tests converge, I tend to find my contenders.
Rather than adhering to a diehard belief in the benefits of one criterion to the exclusion of the other, my perspective aligns more towards being skeptical of both: 1) I don’t believe measurements tell us everything there is to know about a product; 2) I also know that my hearing—and my assessment of the results of my listening tests—are fallible. To me, having both is really a system of checks and balances.
Vimberg Tonda D Review
December 27, 2021 Comments Off on Vimberg Tonda D Review
General impressions of the Tonda D show the speakers to have notably excellent imaging, resolution, detail retrieval, transient behavior, dynamic contrasts, and undiminished energy as one goes higher in the frequency range. The sound is smack dab in the middle area of balanced playback, with an ever-so-slight tilt towards the cool side of neutral in my particular setup. Much of that ever-so-slight tilt can be attributed to my personal preference for a smidge more lower midrange fullness, and because my listening room refuses to overload with bass (a good thing, IMO), where a smaller and more enclosed space would fill that particular cup a bit more completely. None of these preferences detracted from my enjoyment of the Tonda Ds’ excellent performance during their time here.
Audes ST3000 Review
December 27, 2021 Comments Off on Audes ST3000 Review
https://stereo-magazine.com/review/audes-st3000-review
In addition, the Audes developers have decided to balance (or symmetrize) the mains voltage. That means that, instead of 230 volts between both “poles” (phase and neutral) or between the phase (outer conductor) and the protective conductor, they have realized 115 volts each between the two poles and the protective conductor. Of course, that still means that there are 230 volts between both “poles”. To illustrate this, imagine it on an electrical socket on your wall. The secondary winding is thus divided into two halves, which have an (artificial) center tap that is connected to the ground contacts. This is also the place to which all interferences are diverted. That‘s all, but the effect is enormous.
Chord Electronics unveils Anni
December 26, 2021 Comments Off on Chord Electronics unveils Anni
https://www.hifichoice.com/content/chord-electronics-unveils-anni
It benefits from both 3.5mm and 6.35mm headphone outputs, so two can listen simultaneously, plus 4mm banana-type loudspeaker outputs and it claims to deliver 10W of Ultima amplification, controlled by a fascia-mounted volume control that also doubles as an input selector switch for Anni’s two line-level inputs. A two-stage gain control for loudspeakers provides additional flexibility with a wide range of desktop monitors.
Anni comes in the CNC-machined high-grade aluminium casework that’s common to all Chord products with the company’s trademark polychromatic control spheres governing the power and gain controls and complementing the fascia-mounted volume control/input selector.
Anni is powered by a 15V external power supply and benefits from a 12V DC output, capable of powering the Qutest DAC and Huei phono stage when used with the new Qutest range power adapter (supplied).
Available to buy now for £1,200, and on test in the January 2022 issue of HFC, you can find out more about Anni here.
JVC DLA-NZ9 8K D-ILA Projector $24,999 Review
December 26, 2021 Comments Off on JVC DLA-NZ9 8K D-ILA Projector $24,999 Review
https://www.soundandvision.com/content/jvc-dla-nz9-8k-d-ila-projector-review
Wrapping up, the big question for me is: Are JVC’s new projectors a worthwhile upgrade if you already own one of the previous NX series models? The new DLA-NZ9 without a doubt delivers a better-looking image than my DLA-NX9, and I already thought the NX9 was one of the best projectors at any price point. Again, the difference wasn’t night and day, but there were appreciable differences when it came to image definition, contrast, and depth. The NZ9 also offers higher light output, quieter operation, and support for true 8K (not to mention 4K/120Hz for gaming) should that ever become a consumer option. And I know that the projector’s laser light engine will outlast a bulb by a considerable amount, so as a long-term projector it easily makes the case for itself.
Ultimately, one must weigh modest improvements in image quality against a substantial increase in features. I don’t think anyone upgrading will regret the decision, and I’ve already decided to take the jump myself by replacing my own NX9 with the new NZ9. I can’t think of a better recommendation than that. If JVC’s NZ9 provides the light output you need for your screen size, I can’t think of a projector that offers better overall picture quality at anywhere near its $25K price point.
Luxman P-750u Headphone Amplifier Review
December 26, 2021 Comments Off on Luxman P-750u Headphone Amplifier Review
Audiophilepure 
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