Cambridge Audio CXA61 $999 Review

October 21, 2021 Comments Off on Cambridge Audio CXA61 $999 Review

https://www.whathifi.com/us/reviews/cambridge-audio-cxa61

It has a nicely judged tonal balance that walks that delicate path between attack and refinement. This is the kind of presentation that works well across a wide range of speakers and musical genres. There’s spaciousness here too, and the kind of outright clarity that sets a high bar for the price.

Stereo imaging is impressive, with the amp able to place sounds and instruments with precision and stability. It’s an expansive soundfield and one that’s nicely layered, provided the rest of your system is suitably talented.

Once we spend a decent amount of time listening, it becomes clear that few rivals have the resolution to challenge the CXA61. It digs up low level details with ease and renders them with care and conviction. 

This is made clear when we listen to the Olafur Arnalds set, which relies on the system having a high degree of subtlety. It’s easy for an amplifier to sound ham-fisted when playing this recording, but it’s a trap that the Cambridge avoids. Instead it is confident and composed, but never overplays its hand.Advertisementhttps://62e056be616e9b676d217e573805e5a9.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

This Cambridge is a rhythmic performer too, delivering Prince’s 3121 with verve. There’s plenty of entertainment to be had here from thumping basslines to intricately shifting rhythms with Prince’s distinctive vocals at the centre. The CXA61 ticks all the hi-fi boxes without forgetting that all the detail and tonal neutrality in the world doesn’t matter if the emotional content of the music is ignored.

JBL HDI-3800 Loudspeaker $4000 Review

October 21, 2021 Comments Off on JBL HDI-3800 Loudspeaker $4000 Review

https://www.hifinews.com/content/jbl-hdi-3800-loudspeaker

That said, there’s a slight sense that the bass can be a tad slow at times – Andreas Bye’s crisply forceful drumbeats opening ‘In The Mountains’, from the Espen Eriksen Trio’s Never Ending January album [Rune Grammofon RCD2173] have a little of the ‘plastic barrel’ about them. However, the balance when the entire trio joins in is entertaining enough, Eriksen’s piano having stately weight in the lower octaves and fine delicacy in the right hand, while Lars Tormod Jenset’s bass is suitably sonorous, and the soundstage image unforced.

With the testing Britten ‘Young Person’s Guide To The Orchestra’, from the Michael Stern/Kansas City Symphony Britten’s Orchestra set [Reference Recordings RR-120], the HDI-3800s sail through the masses of detail, presenting a persuasive view of each instrumental section. The vivid percussion is particularly enjoyable, and all the while there’s a well-realised picture of the orchestra as a whole. And the great fugue with which the piece concludes sounds magnificent, not least due to the drama the speakers deliver with massed forces and bass slams.

Audeze LCD-5 vs HiFiMan Susvara — Battle of the Flagship Headphones

October 21, 2021 Comments Off on Audeze LCD-5 vs HiFiMan Susvara — Battle of the Flagship Headphones

NORMA AUDIO REVO IPA-140 INTEGRATED AMPLIFIER £5,695 REVIEW

October 20, 2021 Comments Off on NORMA AUDIO REVO IPA-140 INTEGRATED AMPLIFIER £5,695 REVIEW

Norma Audio Revo IPA-140 Integrated Amplifier

The audio industry is broadly divided into two main camps; ‘change for change’s sake’ companies that revise every product in their line-ups on a regular basis, and ‘if it ain’t broke, don’t fix it’ brands who keep their products developmentally frozen for years. Norma is one of the rare exceptions, that keeps making ever better products, but doesn’t shout about it. Looking back on our review from 90 issues ago, Norma didn’t reinvent the wheel here and the sound of the Revo IPA-140 is tonally unchanged, but it builds on its strengths and strips back on its few vices still further. In other words, it’s every bit as damn good as it ever was; “if it ain’t broke, make it better!” This integrated amplifier is one of the audio world’s best-kept secrets. 

Fyne Audio F302i $745 review

October 20, 2021 Comments Off on Fyne Audio F302i $745 review

https://www.whathifi.com/us/reviews/fyne-audio-f302i

These towers make a good fist of punching out the album’s brutal dynamic swings and show a good deal of composure in the process. We’re impressed with the level of detail on offer as well as the entertaining way all this information is assembled to make a sound we’re happy to simply sit back and enjoy. The F302i’s soundstage is relatively broad and nicely layered. For speakers at this level, there’s little to complain about when it comes to stereo focus and image stability.

Tonally, things are nicely balanced and, as we’ve already mentioned, notably smoother than before. This is still a lively sound, but here it’s possible to enjoy recordings that are on the brighter or more aggressive side too.

Magnavox Console Stereo Record Player Repair

October 20, 2021 Comments Off on Magnavox Console Stereo Record Player Repair

AURALiC Sirius G2.1 and Aries G2.1 $7189 Review

October 18, 2021 Comments Off on AURALiC Sirius G2.1 and Aries G2.1 $7189 Review

So what can the Sirius do? It can upsample of course, and it can change formats between PCM and DSD or vice versa. It supports up to DSD 512 and PCM sample rates up to 384kHz. It is a re-clocker, because all of its digital inputs are cached, and then re-clocked using not one but three 72fps clocks. The Sirius can also perform speaker placement compensation, and supports full parametric EQ functionality. On top of all of this, it also provides digital volume control, and while not as good as an analog volume control, in my testing I found it to be a better then using a source device (such as a streamer or a computer) to control the volume digitally.

Now some of you may wonder why you need an up-sampler. Many DACs, after all, support many different sample rates, and many argue that you cannot “create or add detail” if it is not there. We will talk about the create/add detail part a little later but let’s focus on other DACs first.

Rotel RA-1572MKII Integrated Amplifier $2,099 Review

October 18, 2021 Comments Off on Rotel RA-1572MKII Integrated Amplifier $2,099 Review

https://www.soundandvision.com/content/rotel-ra-1572mkii-integrated-amplifier-review

And that brings me to the Rotel’s streaming features, which are limited to USB-audio (excellent, but of limited flexibility) and Bluetooth (meh). An obvious advantage would be built-in wired/wireless audio streaming such as many integrated amplifiers of similar cost already include, or a standalone network music player sitting on the shelf next to the RA-1572MKII, though Rotel does not offer one. The absence of both Wi-Fi and Airplay, which Roon among many other popular music-player/integrator/distribution applications employs as a pathway of last resort along with Chromecast built-in, only exacerbates this lack. And while the snootier level of audio snobs may scoff at Apple’s AirPlay as being “only” CD-quality-capable, in my experience it works just fine for serious listening. But to be clear, the RA-1572 MKII is certified as Roon Tested, and it worked flawlessly with Roon in my system via its USB input.

MAGICO A5 Speakers

October 18, 2021 Comments Off on MAGICO A5 Speakers

Antipodes Audio K50 music server Review

October 17, 2021 Comments Off on Antipodes Audio K50 music server Review

https://www.stereophile.com/content/antipodes-audio-k50-music-server

I listened to files on my NAS (accessed via Ethernet), the same files on the slide-in SSD, and streams from Tidal and Qobuz sourced, again, through Ethernet. Outputs included AES3, USB, and (very briefly) Ethernet. Noting that single AES3 cannot reliably transmit files >24/192 PCM or DSD higher than DSD64, I stuck with files that could be played with every combination and permutation available for testing (footnote 5).

I won’t bore you with a description of the unit’s front and rear panels; anyone who is interested in buying a music server can access antipodes.audio for far more information than this review can hold. It suffices to say that the learning curve was steep and the time limited; the bugs and quirks of beta software, combined with the lack of a manual (which will probably be remedied by publication time), were a challenge. But in the end