Métronome Technologie DSS Network Player and Streamer
August 13, 2021 Comments Off on Métronome Technologie DSS Network Player and Streamer
https://www.audiophilia.com/reviews/2021/5/31/metronome-technologie-dss-network-player-and-streamer
There’s no getting around it, the DSS is a very expensive little box, and has mostly the same features as many cheaper streamers. However, once you get inside the chunky steel housing and peak under the hood, the price makes a little more sense. The power supply is handled by a toroidal transformer from Talema, and feeds multiple capacitor banks. File recognition and playback are handled by a Korean manufactured board made specifically for Métronome, and clock duties are given to an AKM AK4137 chip. The company has spared no expense in assembling a streamer with impeccable build quality, fed by a dedicated and massive power supply to a first rate set of parts. You will not find these things in your cheap and cheerful Bluesound streamers, and this is how Métronome has distinguished itself in the digital source domain.



Aspen Acoustics Lagrange L5 MKII ribbon dipole speaker system $8,500 Review
August 13, 2021 Comments Off on Aspen Acoustics Lagrange L5 MKII ribbon dipole speaker system $8,500 Review
I cautioned him that I would vet the speaker first in demo before committing to an article, because I was not going to spend my time on an inferior speaker, and I did not intend to destroy a small manufacturer with a review seen globally if his early effort fell short. I have done enough reviews of ok but not scintillating products that I simply do not care to spend any more time on them. Reviewers can damn small enterprises with one article, and they need to be sensitive to the disproportionate power they possess over the welfare of a company. One component maker lamented to me that among several very positive reviews, a single one gone sideways due to what he felt was malfeasance on the part of the reviewer was a sticking point in the minds of many potential customers. They had no idea of the issues the manufacturer had to endure as a result of the reviewer and magazine not following the manufacturer’s advice in preparation and setup of the product. As another manufacturer of a preamp, who had brought it for me to hear, said out of the blue as we were listening, “If you don’t like it, I’m not going to give it to you to review.” I was taken aback by the comment. Is that collusion? Is it the evil industry? No, it’s self-preservation, as he said were I to have a negative disposition, “My family is on the street. I’m literally wiped out.” As it turned out, he was not able to leave the unit and never did send another.

Technics RS-B100: Massively Dynamic Premium Cassette Recorder
August 13, 2021 Comments Off on Technics RS-B100: Massively Dynamic Premium Cassette Recorder
Eggleston Nico EVO Review
August 12, 2021 Comments Off on Eggleston Nico EVO Review
REVIEW: Eggleston Nico EVO
Finally, these speakers offer a good deal of tonal correctness. It’s easy to discern the sound of stringed and horn instruments and pianos sound as they should. I always tell readers and friends to find a speaker they can fall in love with and build a system around them. The Eggleston Nicos are speakers that can give you that relationship for a reasonable price, and thanks to the high level of quality they offer, they will grow with you as you upgrade components. The final icing on the cake is that you can have them finished to suit your environment for a minimal additional charge – a major bonus.

Pegaso Audio P50A Integrated Amplifier £5750 Review
August 12, 2021 Comments Off on Pegaso Audio P50A Integrated Amplifier £5750 Review
https://www.hifinews.com/content/pegaso-audio-p50a-integrated-amplifier
But I’m certain that if I was to own a P50A, I’d often find myself seeking out the best recorded music I had, because it deserves it. Aretha Franklin’s vocal on ‘Respect’ [I Never Loved A Man The Way I Love You; 44.1kHz/16-bit FLAC] sounded as uplifting as ever, but the thin nature of the recording (I know, I’m a philistine) came to the fore.
I’ll end on that bass. Perhaps it’s a case of recency bias, but with suitable tracks I don’t think I’ve ever heard my B&Ws so competent, so fluid and so musical in the low range, outside of Pass Labs’ more expensive INT-25 [HFN Dec ’20], another Class A amp, but solid-state. It turned the unfussy three-note bass line of Chris Rea’s ‘Daytona’ [The Road To Hell; Tidal Master] into something to luxuriate in, while at the other end of the audio band, the delicate percussion rang through with spine-tingling clarity.

Sony WF-1000XM4 true wireless noise-canceling headphones
August 12, 2021 Comments Off on Sony WF-1000XM4 true wireless noise-canceling headphones
Cambridge Audio Evo 150 Review
August 11, 2021 Comments Off on Cambridge Audio Evo 150 Review
https://www.whathifi.com/us/reviews/cambridge-audio-evo-150
The Evo 150’s soundstage gains size and scale over its sibling, with a broader canvas on which dynamic peaks can bask in. There’s greater solidity to the way it presents itself, too, particularly through the lower registers. While the Evo 150 isn’t leaps and bounds ahead of the Evo 75 sonically, it is clearly a souped-up version – as it should be for its higher asking price.
The toughest task isn’t justifying itself against its sibling, though; the real test is how it stacks up against the benchmark at this level, the What Hi-Fi? Award-winning Naim Uniti Atom. We swap speaker cables and instantly miss the Cambridge’s breadth, depth and polish. The Naim is a comparatively cruder listen owing to its more confined soundstage and a more direct approach.


Naim Solstice Special Edition Review
August 11, 2021 Comments Off on Naim Solstice Special Edition Review
https://www.whathifi.com/us/reviews/naim-solstice-special-edition
It has designed compliance into the deck’s 47-ply plinth core to provide a degree of mechanical decoupling of the main bearing and arm from the rest of the turntable structure. Aluminium top and bottom plates are used to rigidly couple the arm to the main bearing, and other plates reinforce the plinth’s ply core where compliance isn’t needed. Even the feet are specially designed to filter out certain frequencies.
That chunky aluminium platter is topped off by a felt mat and doesn’t have fashionable extras, such as a clamp to hold the record down. There’s no lid supplied as standard, though Clearaudio does offer dust covers for its own decks that will do the job for the Solstice.

JBL Speakers 4351 & McIntosh MC901
August 11, 2021 Comments Off on JBL Speakers 4351 & McIntosh MC901
Core Power Equi=Core 1000 Review
August 10, 2021 Comments Off on Core Power Equi=Core 1000 Review
Core Power Equi=Core 1000
How will you know you’ve gone too far? If you’ve gone way too far and overtax the current capability, the circuit breaker on the front panel will pop. It’s worth mentioning here that staffer Jerold O’Brien uses an Equi=Core 1800 in his main system, and on a recent lightning strike to the house, only the sacrificial breaker on the front panel was damaged (an easy fix) but his beloved ARC SP-10 mk 2 and D76 power amplifiers were unharmed. So we know for a fact that the Equi=Core stuff will protect your gear. If you don’t push the EQ1000 hard enough to blow the breaker, you will notice a subtle flattening of the soundstage. Should you get to this point, take a quick look at how much power the components you have plugged in draw. You’ll probably only notice it when you’re really playing your system at high level. Remember, think about that 1800 if you have a big amp,
and/or really like to crank it up.



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