MAGNEPAN LRS PLANAR QUASI-RIBBON-TYPE DIPOLE LOUDSPEAKER REVIEW

June 28, 2021 Comments Off on MAGNEPAN LRS PLANAR QUASI-RIBBON-TYPE DIPOLE LOUDSPEAKER REVIEW

Magnepan LRS planar quasi-ribbon-type dipole loudspeaker

The LRS’s articulacy and dynamic agility are outstanding, too. To appreciate what I mean by this, try Rodrigo y Gabriela’s rendition of ‘Stairway to Heaven’ from their album of the same name [Universal Imports, 16/44.1]. Folklore has it that this song has been so over-played that it has been banned in most every music store in the known world, but Rodrigo y Gabriela’s flamenco guitar interpretation is so energetic, expressive, and finely crafted that one can’t help but stop and listen. Happily, the LRS’s do their part to bring the music alive. First, they capture the sharp transient attacks and the fiery but also warmly rounded timbres of the guitars in a highly realistic way. Next, the speakers effortlessly keep pace with the performers’ often fleet-fingered runs of notes while also making it easy to appreciate differences between the guitarists’ playing styles. Most importantly, though, the LRS’s show this guitar duet is truly a conversation between two world-class musicians who both have a lot to say.

Pro-Ject Debut Carbon EVO Turntable Review

June 28, 2021 Comments Off on Pro-Ject Debut Carbon EVO Turntable Review

I’m particularly fussy, though, which shouldn’t be a surprise. So, in the spirit of that fuss, here are two small quibbles. First, Pro-Ject included a felt platter mat. I know, groans and eyerolls, lots of folks like felt, but I find it particularly abhorrent. I’ve just never liked felt, and this was no exception. Very minor thing, and easily remedied. Second, the power cord is strangely short. It barely reached my power receptacle, which was maybe four feet away. Again, this can be remedied with an aftermarket cord, but be aware of this, and reach out to your dealer or Pro-Ject to ensure that whatever cord you choose works fine. 

Those gripes out of the way, in almost every other department the EVO really ticked my boxes and then some. The addition of electronic speed-switching, in particular, is a huge bonus, saving folks from having to lift off the platter and touch the belt every time they want to change from 33 to 45rpm. And, let’s be honest, I can’t imagine many people are actually using a belt-switching tool, so they’re grabbing the belt with their dirty, greasy fingers, and getting the whole drive mechanism filthy. With the EVO, you can eat as much fried food as you want and still jump between your favorite formats. 

HiFiMAN Susvara vs Focal Utopia – Endgame headphone comparison

June 28, 2021 Comments Off on HiFiMAN Susvara vs Focal Utopia – Endgame headphone comparison

Clearaudio Concept Active Wood turntable Review

June 26, 2021 Comments Off on Clearaudio Concept Active Wood turntable Review

https://www.stereophile.com/content/clearaudio-concept-active-wood-turntable

Designed by Clearaudio founder Peter Suchy with his sons Robert and Patrick, the Satisfy series tonearms are constructed of aluminum (except, optionally, the armwand) including a two-part headshell, cueing lever, tonearm collar, counterweight, and rear threaded armtube. “Satisfy Black uses an aluminum arm tube,” Leerer wrote, “while the CF arm uses a woven carbon fiber arm tube providing extra stiffness and lower resonance.” Both Satisfy CF and Black tonearms use Swiss-made vertical and lateral bearings comprised of polished tungsten steel points against a ruby thrust pad

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Core Power Ground Zero $599 Review

June 26, 2021 Comments Off on Core Power Ground Zero $599 Review

Core Power Ground Zero


When operated within its operational limit, the Ground Zero brings no compromise to the musical signal. Like a good doctor, we want power products to do no harm to the audio waveform. Running through a long playlist of both dynamic rock and classical music, along with a number of delicate acoustic pieces, it’s clear that neither dynamics nor tonality are affected by inserting the Ground Zero.

The Ground Zero works as promised, solves the problems it was designed to address, and is reasonably priced. Right now, Underwood HiFi is offering an intro price of $399 – even better. There’s no point in buying exotic four and five figure power conditioning products for an $800 vintage component, or a budget tube amplifier. For that, we are happy to award the Ground Zero one of our Exceptional Value Awards for 2021. If you’re having this problem, you need one.

Tour Of My Hi-Fi Stereo in 2021 – New Wilson Alexandria + VTL Siegfried II & New Reel to Reel’s

June 26, 2021 Comments Off on Tour Of My Hi-Fi Stereo in 2021 – New Wilson Alexandria + VTL Siegfried II & New Reel to Reel’s

FIIO M11 PLUS LTD REVIEW

June 25, 2021 Comments Off on FIIO M11 PLUS LTD REVIEW

To ensure the best performances, FiiO developed a fourth-generation FPGA chip with “more advanced algorithms, more accurate clocks, and even further reduced jitter”. Add a set of two custom Japanese NDK femtosecond crystals, and here you have your full DSD512 / PCM 32bit/768kHz support.

And to top of all that, the M11 Plus LTD continue to use THX-AA78 amps, the same found in the previous M11 Pro. Glorious amp chips even if a bit less powerful than the one found in the M15. In fact, the M11 Plus LTD output the same level of power as the M11 Pro, with a 1mW variance.

Rotel Michi X3 Integrated Amplifier Review

June 25, 2021 Comments Off on Rotel Michi X3 Integrated Amplifier Review

https://www.hifinews.com/content/rotel-michi-x3-integrated-amplifier

The combination of great recordings and the kind of loving transcription that are the hallmark of the 2xHD project makes the music spring to life anew, and the Michi X3 has all the speed, warmth and control to make the most of it. And that held true whether with my big old PMC OB1 speakers or the smaller, faster Neat Iota Xplorer.

And if there was any doubt of the massive clean power here, a swift play of the big, magnificent LSO/Noseda recording of Shostakovich’s 9th Symphony [LSO Live LSO0828; DSD256] shows that soundstaging, agility and massive clout off to great effect. Despite the dynamic swings involved – and you can crank the volume level as high as you want – there’s no hardening of the sound or suggestion of the X3 raising a bead of sweat as it breezes through the huge musical event.

Klipsch LaScala AL5. Pass Labs Class A

June 25, 2021 Comments Off on Klipsch LaScala AL5. Pass Labs Class A

AUDIOVECTOR R6 ARRETÉ FLOORSTANDING LOUDSPEAKER REVIEW

June 24, 2021 Comments Off on AUDIOVECTOR R6 ARRETÉ FLOORSTANDING LOUDSPEAKER REVIEW

Audiovector R6 Arreté floorstanding loudspeaker


So, I come back to my opening gambit. The Audiovector R6 Arreté deserves to be better known. It’s part of a new shape to high-end audio; a distinctly European approach that meets the demands of smaller rooms and listeners without man-caves. It’s a younger, possibly more chic approach that recognises the importance of sonic performance and domestic styling. It’s also a distinctly Continental sound too, with a performance that doesn’t just maximise a single quality but goes for a more well-rounded approach. The fact it does that with a new ‘compound bass’ isobaric loading system making good, deep, fast bass a realistic goal moves this speaker into the ‘must hear’ stakes. As a result, it’s galling not to see this fine loudspeaker rubbing shoulders with the biggest names in high-end audio. In terms of sonic appeal, build quality and looks, it more than deserves its place at the top table. Partner this with good electronics (not simply good Danish electronics, but that aforementioned Gryphon does make a lot of sense) and you have a system that can take on all comers from around the world. And