TANNOY Westminster Royal GR Loudspeakers
May 24, 2021 Comments Off on TANNOY Westminster Royal GR Loudspeakers
SHANLING M6 21 REVIEW
May 23, 2021 Comments Off on SHANLING M6 21 REVIEW
The DAC is advertised for a DNR of up to 128dB and THD of -120dB, and it can handle up to 32-Bit 768kHz PCM, DSD256 via DoP, and native DSD512. For amp and LPF, Shanling uses a new setup of OPA2211 combined with ADI AD8397 chips and the KDS crystal oscillators, helped by the new FPGA chip, to guarantee a bit-perfect playback.
Rega P6 Turntable Review
May 23, 2021 Comments Off on Rega P6 Turntable Review
Another recent record that beautifully illustrates what the P6/Ania is capable of is the Berlin Philharmonic’s superb direct-to-disc recording of Bruckner’s Wagnerian Symphony No. 7. The last BPO performance conducted by the then 90-year-old Bernard Haitink, this magnificent recording is not of the sonic spectacular variety, but is instead one of those recordings that is so natural it comes about as close to the real thing as is possible from vinyl. An LP playback system must be accurate to properly render the deep silences, dynamic subtleties, harmonic layering, depth of field, and sweep of this music.
Mola Mola Tambaqui DAC Feature Review
May 23, 2021 Comments Off on Mola Mola Tambaqui DAC Feature Review
SENNHEISER IE 900 REVIEW
May 22, 2021 Comments Off on SENNHEISER IE 900 REVIEW
The first difference with balanced is that you in single ended configuration get a more intimate presentation, with less space between the notes and an overall less airy presentation. You do get he sense of the IE 900 sounding fuller. The second main impact is on the bass, which in single ended mode isn’t as precise and extended, but it do is fuller and it comes in with more punch and impact.
The third difference is in the top end extension and energy, which now is not as pronounced. And finally the vocals blend in more where they in balanced mode are more upfront. All-in-all you in SE mode get a full sounding, still balanced IE 900. In SE mode it’s a bit more about quantity and presence than it is about transparency and precision, but it’s still very good on all levels.
ELAC Alchemy Series DPA-2 power amplifier Review
May 22, 2021 Comments Off on ELAC Alchemy Series DPA-2 power amplifier Review
https://www.stereophile.com/content/elac-alchemy-series-dpa-2-power-amplifier
I was. Replacing class-AB amps that cost many times more, surrounded by comparably high-end equipment, the ELAC Alchemy DPA-2 Switchable Stereo/Mono Power Amplifier delivered far more musical truth and pleasure than you might expect. Chief designer Peter Madnick has exceeded his goal “to provide the kind of real-life transparency and clarity that you would not expect at this price point, as well as an overall balance that would lead you to say, ‘Wow, that thing’s really good for the money.'” He may also have created a benchmark product for this price range—not that I’ve heard all the monoblocks that are available for under $3000/ pair. (There aren’t that many.) But if there are many other equally fine amps at this price, budget-conscious audiophiles are living in a golden age. Enthusiastically recommended
GoldenEar BRX $1598 Review
May 21, 2021 Comments Off on GoldenEar BRX $1598 Review
The crux of loudspeaker design is the art of making choices and striking the right balance. The BRX chose transparency, finesse, and nuance to communicate the experience of real musicians performing in acoustic space. Yes, there are compact speakers in this class that have a more direct sound and ring out with a bit more extension and seat-of-the-pants slam—more Reznor than Rossini, if you will. But the GoldenEar BRX is a black-tie classicist of a very high order. You won’t need a golden ear to enjoy its class-leading blend of musicality and refinement.
Audiophilepure 
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