Gryphon Antileon EVO solid-state dual-mono amplifier $38,350 Review
April 16, 2021 Comments Off on Gryphon Antileon EVO solid-state dual-mono amplifier $38,350 Review
The front panel of the Antileon Evo is mostly acrylic and has six buttons. The far left button is an ON/STANDBY button that, when pressed, activates the amp and reveals a red display behind clear acrylic. This also initiates a self-check that takes approximately 15 seconds and lets you know if there are issues with the amp. The CHECK button at the far right allows you to run the self-check while in full operation. There is also a MUTE button that does exactly that — mutes the sound — which is handy when you want to change out some cables without turning the amp off. However, the remaining three buttons are the most interesting to the dedicated audiophile.
The remaining three front-panel buttons allow you to choose between three bias settings: Bias L (low), M (medium) and H (high). Bias L provides 25 wpc of class A power. This setting is fine for listening at low levels or when simply playing background music, and to my ears sounds better than the vast majority of A/B amps. I mostly used this setting to keep the Evo warm during the day so that it would be ready to play in Bias M or Bias H mode at a moment’s notice in the evening. Bias M and H were the settings I used for serious listening. Bias M delivers 50 wpc of class A power, which I use when blasting certain rock or other highly in-your-face music. Bias H delivers a sumptuous 150 wpc of class A power. I used this for most really serious listening sessions, even most rock, but especially when the music is vocal, orchestral, moody or sophisticated (I’ll expand on this below).

NAIM UNITI ATOM REVIEW
April 16, 2021 Comments Off on NAIM UNITI ATOM REVIEW
I also asked Naim about this. They say the pre-amp outputs can be used for a subwoofer, and while true, the output is not labeled such on the back panel and there is no mention of how to hook up a sub in the included documentation. Naim says they will update the documentation as well. All in all, Naim is to be praised for seeing these issues when pointed out and taking proactive steps to correct them. Many companies would just ignore the criticisms.
Once your speakers are ready to go, plug in a network cable or put the unit on your local Wi-Fi network. If you are streaming high-resolution files, a direct network connection is your best bet.
Using the app, you can set up Tidal or whatever streaming service you have. The app allows more control than the included remote, so I found it was best to keep my iPhone handy.

BURSON PLAYMATE 2 REVIEW
April 15, 2021 Comments Off on BURSON PLAYMATE 2 REVIEW
The Playmate 2 is strictly a single-ended device – those of you looking for a balanced headphone solution will need to step up to Burson’s Soloist/Conductor line. Presumably, it has been designed this way to a) keep costs down, and b) to maintain some sense of hierarchy in the Burson catalogue. Unless you own a bunch of XLR or Pentaconn-equipped headphones, you shouldn’t sweat over this as 3.5 Watts is more than enough to get most headphones singing, save perhaps the most stupidly inefficient planars – which both I and the majority of you don’t have. And if you do, you’re probably looking elsewhere anyhow.
In addition to the two analogue outputs (the 3.5mm one also being the previously-mentioned mic input), the front panel of the Playmate 2 also includes a small infra-red receiver window for the remote, a stepped volume-pot which also acts as the navigation for input selections in the menu, and a multi-function window which displays volume level, input selection, output selection, as well as the PCM/DSD sampling rate.


REL T/x Serie Review
April 15, 2021 Comments Off on REL T/x Serie Review
First look/listen: The new T/x Serie from REL
First, the visual. Where the T-series was always a basic square box, the new T/x series features rounded cabinet corners, giving them a more refined visual feel. Driver and amplifier updates allow these new subwoofers to go deeper with more speed and refinement than their predecessors. Considering how much the cost of materials and shipping have increased in the last few years, the T/x versions are less expensive than the models they replace.

Why don’t I use a better-sounding turntable?
April 15, 2021 Comments Off on Why don’t I use a better-sounding turntable?
VAC Sigma 170i IQ integrated amplifier Review $10,000
April 14, 2021 Comments Off on VAC Sigma 170i IQ integrated amplifier Review $10,000
https://www.stereophile.com/content/vac-sigma-170i-iq-integrated-amplifier
The VAC Sigma 170i iQ did well across criteria typically associated with tube amps, and more: sweet treble, excellent midrange, musicality, bloom. Timbres were more natural than warm. Bass was substantial, with good definition. The VAC amp seemed more powerful than its rating suggests, and often delivered solid attacks. It’s not inexpensive, but it is luxurious, and all its details are well-considered. It was a pleasure to set up and to use. It’s built by hand and meant to last at least one lifetime. There is value here.


Home System
April 14, 2021 Comments Off on Home System
https://www.monoandstereo.com/2021/02/magico-m3-installation.html
And many similar superlatives can be written about my sonic experiences while being voluntarily and gleefully drowned by Brendel’s work with James Levine conducting the Chicago Symphony Orchestra playing “Emperor’s Concerto, Piano Concerto, Op 110” and Mahler’s 5th played by the Minnesota Orchestra conducted by Osmo Vanska. Just grand with these pieces whispering confidently that they are superlative in every way. The resolution, Depth, Mid-Range purity, full-on holographic Imaging, Transparency, Dynamics, Impact, Bass definition, and the sustained teasing ephemerality of notes are all there — in spades!! I’m in Sonic Nirvana…and all this without completion of the system with the Boulder pre-amp and Magico Q15 sub-woofers.

Magnepan MG1.7i Loudspeaker REVIEW
April 13, 2021 Comments Off on Magnepan MG1.7i Loudspeaker REVIEW
An example of the musically accurate fine detail that the 1.7i conveys can be heard on the SACD version of Alison Krauss + Union Station Live on Rounder Records [11661-0515-6]. This live concert was performed and recorded in the beautiful and acoustically excellent 1927 Louisville Palace theatre. Especially with the SACD layer, natural detail and definition abound. This is audible from the individual bluegrass instruments (ranging from rapid-fire three-finger Scruggs banjo picking to the distinctive metallic tone of Jerry Douglas’ dobro to the plectrum-struck twin strings of the mandolin to Alison Krauss’ fiddle to the upright bass and various percussion instruments). The entire set is laudably three-dimensional and natural. The available detail goes all the way down to the sound of the audience applause, which is very much like what you hear at a concert in a small, acoustically distinguished venue like this. The separation of various segments of the audience applauding at different speeds and varying distances from the microphones is preserved by the Magnepans (almost, but not quite, the sound of one hand clapping). This fine sense of detail is also quite audible on the reverberant decay of a full orchestra when it completes a piece of music. Again, very natural, like an actual live concert.
Luxman SQ-N150 £3,000 Review
April 13, 2021 Comments Off on Luxman SQ-N150 £3,000 Review
https://www.hifichoice.com/content/luxman-sq-n150
No less importantly, provided that the speaker it’s matched with is suitably sensitive, the performance manages to deliver heavier and larger scale music without sounding strained or lost. The live studio edit of Bring Your Lovin’ Back Here by Gomez captures the heavyweight swagger of the band and the punch and drive of the music is central to the experience. Although certainly not a recording for the ages, the SQ-N150 takes the experience further with a level of refinement and airiness in the midrange that ensures any limitations of the music are avoided.

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