Audiophilepure

https://www.stereophile.com/content/mytek-hifi-brooklyn-amp-power-amplifier

Mytek keeps making little boxes that do big things, which makes me wonder what Jurewicz might do with bigger boxes. The company’s forthcoming monoblocks will be built in full-size chassis, part of Mytek’s new Empire series. “AMP+ has newer, faster MOSFETs for a more squared wave,” Jurewicz told me, “but it’s not yet 100% what could be accomplished. For a better squarewave, you need newer transistors called GaN-FETs. It’s a game changer for class-D. In the next few years, we will see examples of class-D proving to be the best sounding amplifier technology with the use of GaN-FETs.”

https://www.hifinews.com/content/ps-audio-stellar-strata-integrated-amp

The amp saved its best ’til last, however, with the SACD of Lyn Stanley’s wonderfully-recorded Live At Studio A [ATM 3019]. A jazzy redux of Bruce Springsteen’s 1985 boogie ‘Pink Cadillac’ was conveyed with the intimacy intended, right from the opening ‘1, 2, 3, 4…’. The feel of studio space was well articulated, while brushed cymbals, double-bass and tinkled piano keys provided a feather-soft bed for Stanley’s idiosyncratic vocal delivery.

In the hands of a lesser amp, this recording can easily lose its charm, which isn’t so much the notes being played as the way they’re delivered. Here it sounded effortless.

https://www.stereophile.com/content/doshi-audio-evolution-monoblock-power-amplifier

Back then, I was using the dCS Vivaldi DAC; because it had a volume control and its single-ended and balanced outputs sounded quite similar, I was happy to connect it to the Doshis with single-ended cabling. Since then, however, dCS’s Rossini DAC (footnote 6) has replaced the Vivaldi in my system. The Rossini, too, has a volume control and single-ended outputs, and can be connected directly to the monoblocks without a preamp in between. I’ve found, however, that feeding its output to the balanced-only D’Agostino Momentum HD preamplifier produces larger and weightier images, more and better-controlled bass, heightened color contrasts, and a greater sense of texture. So, I prefer to use the Rossini with the Momentum HD. But since the Momentum HD preamp only has balanced (XLR) connectors, I asked Doshi how I should proceed.