iFi Headphone Amp & DAC Lineup

April 12, 2021 Comments Off on iFi Headphone Amp & DAC Lineup

Mark Levinson No.5105 turntable Review $6000

April 11, 2021 Comments Off on Mark Levinson No.5105 turntable Review $6000

https://www.stereophile.com/content/mark-levinson-no5105-turntable

Decoded by the No.5105 into the hybrid Hagerman, the vinyl version delivered timbral richness, particularly to the massed strings and Mutter’s violin, and textural sophistication that might have some screaming “coloration!” Not I! To me it sounds more real and definitely more pleasurable than the streamed digital, especially the piano’s presentation, both timbrally and in terms of transient attack. It helps that the Emil Berliner Studios did the mastering and that the Optimal pressing is outstanding. I could not hear any difference in dynamic range between the two versions. It’s possible though that the file was dynamically compressed for streaming but allowed to express itself fully in the grooves.

Icon Audio HP8 MkII Signature Headphone Amplifier Review

April 11, 2021 Comments Off on Icon Audio HP8 MkII Signature Headphone Amplifier Review

https://www.audiophilia.com/reviews/2021/2/1/0t4as8dlvsipy6zuup151430h32qvc

It drove my 52 ohm Focals just as well as my 300ohm Sennheisers, and I would certainly recommend this amp for statement headphones like the Sennheiser HD800/HD800S, Audeze LCD-3/4, the HIFIMAN HE1000 or the Focal Utopia. With 800 mW x2 of Class A power on tap (a number up there with many solid state designs), it has plenty of gain for all of them. This amplifier is, of course, just an amp, no frills attached, so it may not suit those looking for compact desktop all-in-one solutions with DACs, streaming, or other state-of-the art digital audio applications. If you have all those bases already covered in your chain, or want a high end headphone section for your main system, the Icon Audio HP8 MkII Signature is one of the best sounding headphone amplifiers I have heard, and its polished looks certainly makes it easy on the eyes as well as the ears.

Sonus Faber Lumina III loudspeaker Review $2199

April 10, 2021 Comments Off on Sonus Faber Lumina III loudspeaker Review $2199

https://www.stereophile.com/content/sonus-faber-lumina-iii-loudspeaker

Once I had finalized the speakers’ positions, I started my serious listening. As always, I started my critical auditioning of the Lumina IIIs with the test-tone files I created for my Editor’s Choice CD (Stereophile STPH016-2). The Lumina IIIs were initially toed in to the listening position. With the dual-mono pink noise track, the treble balance was reminiscent of the Bowers & Wilkins 705 Signature’s: a little accentuated in the top two octaves, especially when compared with the KEFs. I increased the toe-in a little so that the speaker axes crossed just in front of me; now the high frequencies sounded in better balance with the midrange, though still a little high in level, especially if I sat upright so I could see the tops of the speakers. While the pink noise had a touch of “character” in the lower midrange, the image of the pink noise was narrow and stable, with no “splashing” to the sides at any frequency.

Linn Majik DSM Streaming Integrated Amplifier Review

April 10, 2021 Comments Off on Linn Majik DSM Streaming Integrated Amplifier Review

https://www.soundandvision.com/content/linn-majik-dsm-streaming-integrated-amplifier-review

I checked out the Majik DSM’s HDMI functionality using a Sony UBP-X800 Blu-ray player, with the player converting soundtracks to 2.0 PCM for output. Streaming the Afghanistan war movie The Outpost, the Linn nicely reproduced the crackling flames that followed in the wake of explosions. Of course, asking the Majik 109 book- shelf speakers to convincingly reproduce the ultra-low sound of explosions by themselves would be unfair. To quote Emeril Lagasse, I “kicked it up a notch” by connecting a JL Audio Dominion d110 subwoofer to the Majik DSM’s line-level analog RCA outputs. While this didn’t exactly turn the Majik DSM into a full-fledged home theater system, the sub added low-end impact and allowed the amp to deliver even louder movie sound.

AURALIC Vega G2.1

April 10, 2021 Comments Off on AURALIC Vega G2.1

QUESTYLE CMA TWELVE FLAGSHIP DAC/HEADPHONE AMP $1499 REVIEW

April 9, 2021 Comments Off on QUESTYLE CMA TWELVE FLAGSHIP DAC/HEADPHONE AMP $1499 REVIEW

I threw a number of genres and headphones at the CMA Twelve and the results were all good. It is worthy of the flagship moniker. The option of single-ended and two balanced connection styles makes it accessible to a wide array of headphone choices. The switchable BIAS allows for an even wider choice of headphone or two-channel pre-amp options. The DAC is very clear without being overly bright and uses a favorite DAC of mine, the AKM 4490. I came to enjoy the front panel LED layout as it did not take long to be able to glance at it and know the type and bit rate of the file being played. A good thing for a Roon radio user. Given the build quality and track record of Questyle, I would expect the CMA Twelve to have pride of place in your headphone listening space for many years to come. Highly

Wharfedale Elysian 4 Review

April 9, 2021 Comments Off on Wharfedale Elysian 4 Review

https://www.whathifi.com/us/reviews/wharfedale-elysian-4

Those two 22cm bass drivers do just what we would expect and generate the kind of impressive low-end heft their appearance suggests, giving the presentation a wonderfully solid foundation to work from. If all this talk of muscle and physicality suggests a lack of finesse or subtlety, you’re mistaken. If anything it’s the Elysian 4’s impressively civil nature that appeals to us most.

They have the insight and delicacy to bring Ólafur Arnalds’ Found Songs album – a beloved go-to in our collection – to life. The Wharfedale’s sound is full of detail, which is organised in a natural and intuitive way. We like the way these monster floorstanders express the album’s dynamic nuances and the skill with which they communicate instrumental textures. It’s an unforced presentation that’s comfortable and easy-going without sounding bland. There’s a great deal of analysis on offer, but the musical experience always comes first.

Sennheiser CX 400BT Review

April 9, 2021 Comments Off on Sennheiser CX 400BT Review

Marantz Project T-1 Amplifier £30,000 Review

April 8, 2021 Comments Off on Marantz Project T-1 Amplifier £30,000 Review

https://www.hifinews.com/content/marantz-project-t-1-amplifier

With speakers which never exploit its lower registers, like LS3/5As without a subwoofer or the old Quads, the T-1 behaves just like you’d expect of a classic tube design. Only you’re not sampling all it can offer. Still, even those of you not using speakers which operate below 80Hz would still enjoy the textures with in-your-face realism, and not just the various vocal tics which help you to distinguish Crystal Gayle from Dolly Parton.

The amp’s way with textures carries over to each and every instrument, enough to allow you to use a compilation like the tribute, Rattlesnake Guitar: The Music Of Peter Green, as a guide to different guitar models. lt also means that incredibly fine details come through without a fight, with spatial clues so vivid that you can picture the walls of Abbey Road’s Studio 2 when you play the Fab Four. And you will hear vertical images just like the Cheskys said you would. It’s a near- magical experience, restricted only by speaker sensitivity rather than frequency response, driver type or impedance. Still, it has power to burn, compared to a SET.