Audiophilepure

“

Bass is really impressive. It has really good body and impact but it at the same time is tight and fast. Bass reaches down really low and has good layering and detail retrieval, there even is a nice sub bass rumble when needed.

While the bass actually sounds a lot like the typical dynamic driver bass, it’s actually fully produced by Knowles balanced armatures. Very impressive!

The lower mids perfectly separate from the bass and the are lighter in presence and body. This combined with the energetic and more present upper mids, produces the v-shaped presentation. Which many people like. The energy, detail retrieval and timbre of the upper mids and vocals is really good. The timbre is smooth but clear and very musical. The note extension and depth are very nice as well. The vocals shine.”

VISION EARS EVE – Astounding Musicality, Transparency, and Speed!

The Kronos Quartet’s “Aaj Ki Raat—Tonight is the Night” (Kronos Caravan, Nonsuch) begins, and at play across this track in addition to the violin, viola, and cello are a mix of exotic instruments from the Hindustani tabla to the Lebanese nay to the Iranian kemancheh, tar, and tombak. The EVE renders this mix of instruments with aplomb and nary a trace of shrillness or harshness or glassiness. Its highs are clear, fast, well extended, sweet, with a transparency that digs down to fingers across strings, drum skins, and cello bows.

Just one more, please. Vilda Frang’s “Allegro Molto II” (Veress String Trio/Bartók Piano Quintet, Alpha) plays, and there is quiet and air and raps, plucks, bows, and even the knuckling of a violin. The EVE’s transparency again renders crystal clarity, timbral / tonal distinction, weight, space, and positioning, sublimely. And as the trio of violin, viola, cello reach sweetly for the limits of treble extension, again, shrillness or harshness or brightness or glare are vanished, entirely.