Wilson Benesch Full Circle Turntable $4,750 Review

February 8, 2022 Comments Off on Wilson Benesch Full Circle Turntable $4,750 Review

https://www.audiophilia.com/reviews/2016/5/25/the-wilson-benesch-full-circle-turntable

The first thing that hits you about the Circle is its pinpoint imaging: side to side, front to back and in height as well. Take, for example, the numerous percussion flourishes in the score of Debussy’s Iberia [Classics LSC-2222]. The castanets and tambourines are suddenly located freely in space, quite high above the loudspeakers. Solo instruments are portrayed with rock-solid positioning and plenty of air.

The noise floor, even with a low output cartridge like the Lydian, is exceptionally deep and black. The 1980 RCA Red Seal pressing of Takemitsu’s Waves [ARL1-3483] is hardly state-of-the-art, and yet the expanse of RCA Studio A spread before me, populated with living, breathing musicians.

Single ended amplifiers

February 8, 2022 Comments Off on Single ended amplifiers

Absolare Hybrid Stereo Power Amplifier: Signature Edition $52,000 Review

February 7, 2022 Comments Off on Absolare Hybrid Stereo Power Amplifier: Signature Edition $52,000 Review

The Absolare Hybrid Stereo amplifier successfully achieves its design goal of bringing the many virtues of single-ended triode amplification to a product that can easily drive a wide variety of loudspeakers. Indeed, it drove the demanding Wilson Chronosonic XVX with aplomb. Amazingly, there was no hint of transistors in the Hybrid’s sound; it has astonishing liquidity of timbre, is utterly grain-free, and projects a sense of presence that sounds very much like the best SET amplifiers. The Hybrid creates a directness of musical expression—of hearing nothing between you and the music—that is unique among solid-state amps, in my experience. That directness of expression fosters an intimacy with the music and performers that is seductive. The Hybrid goes beyond “hi-fi” to mediate a deep connection with musical meaning in a way that defies sonic analysis. Can you buy a more “resolving” amplifier for the money? Or one with deeper bass extension and “slam.” Yes, but no other amplifier short of an SET delivers the emotion of music like the Absolare Hybrid Stereo.

EJ Jordan Marlow speakers Review

February 7, 2022 Comments Off on EJ Jordan Marlow speakers Review

The EJ Jordan Marlow Speakers

If you aren’t paying careful attention, the BBC inspired styling cues of the EJ Jordan Marlow speakers might fool you into thinking you were looking at another LS3/5A. Yet these small British speakers couldn’t be more different. Because they are not under license from the BBC, the Marlows are not held to the same design constraints.

They are meticulously made, yet these compact speakers utilize a single 3.93 inch (100mm) full range Eikona driver. If you click here to go to the EJ Jordan site and poke around a bit, you’ll find out that their designer, Ted Jordan is a powerhouse of speaker engineering. The Eikona driver is assembled at Scan Speak with critical parts originating in the UK.

Detailed High-end Cartridge Setup | Step by Step

February 7, 2022 Comments Off on Detailed High-end Cartridge Setup | Step by Step

Cayin RU-6 

February 6, 2022 Comments Off on Cayin RU-6 

https://stereo-magazine.com/article/audiophile-mobile-usb-dac-by-cayin

The best solution for the R-2R circuitry is to obtain the highest possible incoming bit-stream level and then apply a high-quality analog volume control after the signal is converted by the R-2R DAC. Therefore, Cayin recommends using a music player app for the smart device that supports Bit Perfect USB, bypassing the volume control of the source device.

An optional adapter cable is also available for devices with a Lightning connector. Two headphone outputs with 3.5 mm and 4.4 mm jacks are placed on the connection panel. The user can also choose between oversampling (with upsampling to 384kHz) or non-oversampling.

Hegel H390 Integrated Amplifier Review

February 6, 2022 Comments Off on Hegel H390 Integrated Amplifier Review

https://www.audiophilia.com/reviews/2021/10/26/xq15djapfx4nkpjazcyz48xz0d9lc9

Break in on the H390 was not particularly drastic or jarring, but the amplifier did like about 100 hours to loosen up after sounding a bit tight and thin out of the box. I first listened to the Hegel as a pure analog integrated, forgoing the streamer and DAC for the moment. Let’s be frank, the streamer and DAC portions are important features and may help seal the deal for many buyers, but the sound quality of the pre and power should always be paramount when considering a unit at this price. 

Very quickly I discovered the strengths of this amplifier design and why they seem to be flying off the proverbial shelves. This amplifier is powerful, and I don’t just mean in watts per channel (of which it has plenty), rather, I am referring to its muscle and grip when applied to any speaker you throw at it. With the Alyssa, the Hegel tamed the larger than life bass of the transmission line design (something the McIntosh could not do) and allowed deep instruments and notes to come through with punch and clarity. With the Harbeths, the Hegel breathed fire to wake up these studio monitors and make me wonder if I was listening to much larger speakers.

ATOHM GT1 HD REVIEW

February 6, 2022 Comments Off on ATOHM GT1 HD REVIEW

NXEars Opera Earphones Review

February 4, 2022 Comments Off on NXEars Opera Earphones Review

Many travel cases that come with in-ears are virtually useless, except for providing a place to put your earphones when they’re not in your ears. The NXEars case is much better, being a hardshell, so it provides some protection. Inside the case is a foam block into which you can place each earpiece, so it doesn’t roll around inside the case. This is important because the primary reason that balanced armatures eventually fail is trauma that knocks the internal elements out of alignment. This foam block is a design detail that should heighten Opera’s longevity and that all BA in-ear cases should employ, though few do.

The Opera has a sensitivity rating of 100dB with 18-ohm average impedance, which places it among the easy-to-drive but not most-sensitive category of in-ears. In comparison, the most-sensitive CIEMs in my collection, the Empire Ears Zeus, have a 115dB sensitivity. While custom in-ears, such as the Zeus, offer multiple colors and finishes, currently the Opera comes in only one color, an attractive “Stardust” blue, which is translucent enough to let you see inside, but dark enough so that the Opera doesn’t resemble a 3-D schematic. The dark blue is punctuated by metallic sparkles, so it brings to mind Vincent Van Gogh’s “Starry Night.”

Electrocompaniet EMC 1 MK V CD Player Review

February 4, 2022 Comments Off on Electrocompaniet EMC 1 MK V CD Player Review

https://www.hifinews.com/content/electrocompaniet-emc-1-mk-v-cd-player

Upgrades over the previous generation of EMC 1 are a new (unspecified) drive unit for the player’s top-loading mechanism, refinements to the balanced analogue circuitry that sits downstream of the Cirrus Logic upsampling and DAC chips, and improvements to the vibration-cancelling properties of the chassis. Connections are exactly the same, however: balanced XLR and unbalanced RCA, plus coaxial and optical digital audio outputs enabling the EMC 1 MKV to be paired with an outboard DAC, operating in transport-only mode.

Back around the front, the display’s illuminated blue text is large, making it easy to note track number and time elapsed, and it can be dimmed fully. The supplied plastic remote control is less impressive – lightweight compared to the player itself – and festooned with buttons that are of no use here. However, it makes operating the EMC 1 MKV a breeze with keys for direct track access, search, shuffle and various repeat play options.