New reptilian overlord technology!
October 7, 2021 Comments Off on New reptilian overlord technology!
FIIO FD7 REVIEW
October 6, 2021 Comments Off on FIIO FD7 REVIEW
Yet, as good as they sound, I expected a bit more than just an FD5+. The soundstage is equally good, but not wider. Dynamic is superb, but not better. And, most of all, low didn’t go deeper even if they are a tad faster now, which is a good thing of course. But, I wanted a little more magic.
That said, FiiO did an amazing job the first time, so it’s always hard to improve what’s already great. It always feels natural, soothing, even when I cranked up the volume, or played my usual Techno tracklist. You never feel like throwing back and, once again aspect, the FiiO FD7 sounds much more like an open-back headphone, than an IEM. Which remains quite a feat.
Okay, to be fair bass is still amazing. Lows are deep, clean, and dwells deeply into my eardrum, without overpowering the rest of the spectrum. It’s a cool rumble, one that carries you through your musical journey and leaves you in a better shape than you were when you embarked. Yes, it’s not better than before, but out of FiiO’s portfolio, that’s the best you will get. Even with a low-budget source like the FiiO’s M3 Pro, the FD7 stood its ground.
Denafrips Terminator Plus Review
October 6, 2021 Comments Off on Denafrips Terminator Plus Review
The unit that I received was already run in but Alvin of Vinshine Audio did warn me to make sure to give the DAC enough time to warm up. Of course, I did so, but that did not stop me from doing a comparison from a cold start. Well, it wasn’t straight out of the box as I did let it acclimatize for a day after delivery but I did listen to it right after switching it on. Well, I must say that I couldn’t fault its reproduction. Maybe it was a little lean and perhaps a little cold, but if this was the unit sounding “bad”, then there must be something in store for later! While listening to the unit for several days, honestly, I can’t say that its sound changed very much. Perhaps it got a little warmer overall and maybe a little bit fuller down below but we’re really talking nuances here.
Sneak peek of PS Audio’s new speaker
October 6, 2021 Comments Off on Sneak peek of PS Audio’s new speaker
Dynaudio Emit 20 £825 REVIEW
October 5, 2021 Comments Off on Dynaudio Emit 20 £825 REVIEW
https://www.whathifi.com/us/reviews/dynaudio-emit-20
Venture higher up the frequency range and the Dynaudios show they’re also seriously sophisticated speakers. Highs are a particular highlight when we play the end credits from Pirates Of The Caribbean: On Stranger Tides. String instruments sound sweet and refined with it. You’re left in no doubt these are a serious step up from entry-level, budget speakers.
We switch electronics and swap out our Burmester amplification for something a little more price comparable. In this instance, it’s the Naim Nait XS3. We also move on to Mountains by Bat For Lashes and the Dynaudios surf that retro ’80s synth wave effortlessly. The highs, the lows, the sweeping vocal and the crisp chimes all pique our interest. The speakers dig out an impressive level of detail across the board and manage to balance analysis and entertainment. They’re capable of presenting you with plenty of information without sucking the life out of the music.
NuPrime AMG STA Power Amplifier and AMG PRA Preamplifier Review
October 5, 2021 Comments Off on NuPrime AMG STA Power Amplifier and AMG PRA Preamplifier Review
NuPrime AMG STA Power Amplifier and AMG PRA Preamplifier
Sticking with the dual-mono setup and the L600s, I put on the Tone Poets vinyl reissue of My Point of View by Herbie Hancock. The tune “King Cobra” opens the B-side, and it features Tony Williams at only 17 years old showing off all his incredible potential, with dancing cymbals that really sparkled through the STA/PRA combo. Williams’ fills sounded exuberant and rhythmically complex, and the system never compromised or slowed down his fascinating drumming. In the midrange, the piano and horns were smooth and silky with a hint of nice, heavy warmth down in their lower regions. Hancock’s solo was quick and slithering, like the song’s namesake, and each note was clearly delineated. Attacks and decays were on point, which added to the whole rhythmic picture building throughout the song. When the horns massed for the theme, each instrument remained wholly itself and focused, creating a wide sense of soundstage. The STA/PRA dual-mono combo worked very well with the L600s, since the speakers have a very solid and deep lower end, and the amp/preamp shines in the lower registers. It was that deep heft that really brought a difficult song like “King Cobra” to life, and leant the entire ensemble a massive sound.
Triangle Art M-100 Mono Amplifiers and L-200 Preamplifier $23,000 Review
October 4, 2021 Comments Off on Triangle Art M-100 Mono Amplifiers and L-200 Preamplifier $23,000 Review
Under the best circumstances a review, for me at least, will result in widening perspectives and expanding my knowledge regarding what is possible in high-end audio. Keep in mind, this system is designed as purist in form for the purist at heart. There are no creature comforts such as remote volume adjustment or input switching. As my current set up must accommodate my family’s entertainment center, the lack of remote and the temperament of tubes makes this an affair of whimsy and abandon rather than a long term committed relationship. But make no mistake, the Triangle Art M-100 amplifiers and L-200 preamplifier recreates music with verve and life adding up too an intensely musical experience.
Klipsch Forte IV loudspeaker Review
October 4, 2021 Comments Off on Klipsch Forte IV loudspeaker Review
https://www.stereophile.com/content/klipsch-forte-iv-loudspeaker
The 3 Sounds are perhaps Blue Note’s only lost jazz act. No one cares for them outside of rappers looking for samples; their records go for a pittance. But between 1958 and 1971, pianist Gene Harris, bassist Andrew Simpkins, and drummer Bill Dowdy performed and recorded with an old school swing pulse that was engaging and relentless. They recorded nearly 20 albums for Blue Note and more for the Riverside, Mercury, and Limelight labels.
Feelin’ Good is prime 3 Sounds. Through the IVs, it captivated with rich, sparkling piano, tactile, snappy drums, and deep-rumbling acoustic bass. The IVs were coherent from midrange through the treble; the IIIs sounded more disconnected. Gene Harris’s piano sounded harder through the IIIs, and if Bill Dowdy’s drums seemed more integrated with the soundstage via the III, it was because the snare drum and cymbals were pushed forward and not because the drums were deeper in the stage.
Audiophilepure 
You must be logged in to post a comment.