Schiit Audio Freya + and Aegir Review. Tubes, Class A

July 31, 2021 Comments Off on Schiit Audio Freya + and Aegir Review. Tubes, Class A

Classé Audio Delta PRE/MONO DAC/Preamp & Monoblocks Review

July 30, 2021 Comments Off on Classé Audio Delta PRE/MONO DAC/Preamp & Monoblocks Review

https://www.hifinews.com/content/class%C3%A9-audio-delta-premono-dacpreamp-monoblocks


By any standards, the latest Classé Delta amps are a triumph, combining a hugely flexible and ultra clean-sounding preamplifier with power amplifiers as capable of mighty clout as they are revealing of the smallest of detail. They look the part, are superbly engineered and constructed to impeccable standards, and can cope with even the most complex of systems without any signs of compromise in their performance.

SHANLING M3X REVIEW

July 30, 2021 Comments Off on SHANLING M3X REVIEW

the M3X is a compact and light device, measuring 109mm x 72mm x 15.9mm and 168g. As for the layout, both the unbalanced and balanced outs are located on the top of the device and the USB-C charging port is located on the bottom along with the SD-card slot. On the left side of the device, there are three navigation buttons. Via those, you can skip tracks and pause or resume the playback. On the right side of the device, there is a volume pot that can be pressed on. It acts as a power button and looks very elegant with the notched design. Under the volume pot, there is a single LED that lets you know about the power status. It is really easy to use the device with one hand and it seamlessly fits into my jean pockets.

Atoll Electronique MS120 network player, DAC and pre-amp

July 30, 2021 Comments Off on Atoll Electronique MS120 network player, DAC and pre-amp

CRAFT EARS CRAFT SIX REVIEW

July 29, 2021 Comments Off on CRAFT EARS CRAFT SIX REVIEW

The bass is big and impressive but it’s not always in control, yet it has its stage purpose. The EM64 isn’t as refined, precise and clear sounding and the mids compared to the Craft Six are very light and to the back. Upper mids and vocals are forwardly tuned so you’re getting a more w-shaped signature here. The treble is also very different as it in the Craft six is more extended, refined and refined.

http://www.pdf-tools.com

POLK AUDIO LEGEND L800 FLOOR-STANDING LOUDSPEAKER REVIEW

July 29, 2021 Comments Off on POLK AUDIO LEGEND L800 FLOOR-STANDING LOUDSPEAKER REVIEW

The Polk Legend L800s are a stone-cold bargain in the world of high-end loudspeakers. They deliver a true full-range sound from below 20Hz to above 20,000Hz. The soundstage brought forth by SDA Pro technology creates a unique listening experience. They can handle micro-dynamics with the finesse of a small monitor while delivering crescendos from a full-scale orchestra with ease. The L800s do not require an expensive amplifier to deliver a terrific performance, but if you want to power them with a five-figure amplifier, they are more than capable. For $5,998 per pair, I don’t know of any speakers that can deliver everything this Polk L800 system delivers. Highly recommended.

Technics SU-G700 Integrated Amp Review

July 29, 2021 Comments Off on Technics SU-G700 Integrated Amp Review

SVS 3000 Micro Subwoofer Review

July 28, 2021 Comments Off on SVS 3000 Micro Subwoofer Review

https://www.soundandvision.com/content/svs-3000-micro-subwoofer-review

Next, up: How loud? My previous trials were just about as loud as I ever listen electively. But science demands more, so I powered down my left/right monitors and repeated the same track rotation, auditioning the subs “naked,” while gradually increasing level. With about 6dB added, the little SVS was still fine—solidly pitch-defined and free of rude noises—as was, of course, the big SVS tube. So too was the KEF, though it was noticeably less loud, its DSP dynamic/equalization being activated as the electromechanical system approached its limits. At about 10dB louder than my original level the SVS evinced the same sort of limiting: it still sounded clean and musical, but essentially stopped responding to higher signal input, getting little if any louder. It also produced a noticeable “tup” on the leading edge of the strongest/lowest notes, which was not present at the lower levels. Presumably, this was a mechanical artifact of the sub’s drivers and/or bass-dynamics brain probing their limits, though it was never audible in full-system listening at any level. The PC-12-Plus took the blue here, producing ridiculous bass levels, and simultaneously exciting many more previously unknown room rattles.

McIntosh MC1502 Power Amplifier Review

July 28, 2021 Comments Off on McIntosh MC1502 Power Amplifier Review

The McIntosh MC1502 Power Amplifier


You might be surprised at how much of the music you feel is unlistenable because you find it overly compressed, is actually running your amp and speakers out of power. Your room size, and speaker sensitivity will play a big part in this, but again, 82db isn’t exactly concert hall levels. Even turning the volume down lower to a 76db average level, is still generating 100db peaks on a lot of tunes.  The 150 watts per channel that the MC1502 deliver comes in handy, and at much lower listening levels than you might think.

Cayin C9 Amp Review

July 28, 2021 Comments Off on Cayin C9 Amp Review